16 posts tagged with nostalgia by filthy light thief.
16 posts tagged with nostalgia by filthy light thief.
Displaying 1 through 16 of 16.
"With Christmas not far away, you may start seeing ads for video games that try to marry the VCR with traditional board games. Unhappily, that marriage more often resembles the bickering Lockhorns than the mild-mannered Nelsons. Here's a look at three of the games now
out in 1986." But that's only a snapshot of the dynamic world of VCR board games, which peaked in the early 1990s with the Atmosfear series, known as Nightmare in Australia, where the game series was a huge cross-media empire, bigger than "Crocodile" Dundee. Another significant game was Star Wars: The Interactive Video Board Game, if for no other reason that it is canon and expands the story of the second Death Star. There are less than 100 VCR board games, and the videos for many of them are currently online, with more game documents and details on Board Game Geeks. By the end of the 1990s, the VCR was on the way out, replaced by DVD board games. Let's browse the isles of toy stores past, thanks to the crowd-sourced nostalgia that is the internet. [more inside]
"If you want to hear music, you know what you do - you turn on the radio, put on a CD, or even go to a concert. But as the age of the info superhighway inches forward, you can even get music from your own home computer." That's the intro to a short CNN segment on IUMA, the Internet Underground Music Archive, which opened in 1992 as an effort for unsigned bands to share their music on the world-wide web, for free. Unfortunately, it fell the way of many early 1990s online entities: it was bought out, then the new owners couldn't keep up with changing times, and the site went dark. Except before IUMA disappeared, John Gilmore grabbed much of the material and backed it up on tapes, and turned to (MeFi's Own) Jason Scott and Archive.org to bring back IUMA. They did, and you can now browse through over 45,000 bands and artists, and more than 680,000 tracks of music.
If you're looking for a zombie webcomics with a bit of gore and a lot of kitties, you may enjoy Flynn Gleason's Zombie Apawcalypse. Flynn's work may be vaguely familiar to you if you remember a Calvin and Hobbes type comic from the mid- to late-1990s, called George and his Pencil, with archived comics still in their rough pencil-drawn form. [more inside]
But in addition to our retreat into wishfulness, something else was brewing: a sense that the past was not only better than the present, but that the past’s predictions for the future were also better than what had actually become the present. No longer content to live in (or through) our memories of the past, we also yearned to live in the past’s vision of the future. We were nostalgic for yesterday’s prognostications: You could say that we succumbed to prognostalgia. Living with our backs to the future, on the cultural fixation with past dreams of the future, on the 50th anniversary of Isaac Asimov's write-up on the 1964 World's Fair, which is still being reviewing to track Asimov's hits and misses [via mefi projects] [more inside]
“Je Suis La Jeune Fille.” “Yes, that’s French they’re speaking. But no, these children aren’t French – they’re American!” If you grew up in the late 1980s and early 1990s, or watched children's TV programming from that era in the US or UK, no doubt you saw that commercial for Muzzy (formally titled Muzzy in Gondoland). The show was first produced by the BBC in 1986 to teach English as a second language, as seen in this playlist of five videos, and later expanded with Muzzy Comes Back in 1989 (six episode playlist). The shows were both translated in to French, German (playlist), Spanish (and the Spanish vocabulary builder), and Italian (Muzzy in Gondoland, Muzzy Comes Back).
Twenty years after originally forming, the English electronic/ rave/ big beat group The Prodigy were back on tour for their fifth studio album, Invaders Must Die. On July 24, 2010, the "40-somethings bounce around a stage like men half their age, owning festival-sized audiences" like rising dance stars wish they could. The performance was recorded and released the next year, and you can see the hour plus of World's On Fire in full on Vimeo. (NOTE: NSFW lyrics) [more inside]
In January of 1979, ABC premiered a made-for-TV movie called Salvage, featuring Harry Broderick (Andy Griffith) as "the junkman with a dream," which he stated simply: "I want to build a ship, fly to the moon, salvage all the NASA stuff up there, bring it back to the earth, and sell it." His crazy idea isn't so crazy, thanks to the assistance of former astronaut Skip Carmichael (Joel Higgins) and fuel/tech expert Melanie Slozar (Trish Stewart). They managed to build their spaceship and get to the moon and back, thanks to Carmichael's ingenious "Trans-Linear Vector Principle." The movie did so well that the crew's adventures were extended into a total of 18 episodes, split into two seasons. [more inside]
"Milk" is one of the most strange and powerful episodes to come out of the Children's Television Workshop. It is impossible to imagine this film being made now. Here's the pitch:
Yeah… Jim. Look, I thought we would show how milk gets made with no script and no dialogue. Yeah. Let's just go shoot footage of farmers and the milk truck, maybe throw in a crying baby and some weird, monotone music crafted by some composer who likes jazzy stuff played by a chamber ensemble. Sunny day? Nah. Let's not make it cheerful or happy. We should make it gloomy and unsettling. Oh, and Jim? To do it right, we need some crane shots, a huge decal for the truck, and about four and a half minutes running time.Read on, for an interview with Robert Dennis, composer of Milk and other clips (including Cow Feeding and the Mad Painter series of shorts).
"I have a huge collection of fighting game backgrounds as gifs. Figured you guys might appreciate it."
In the beginning there was Windows 2.0 its screen, and it was either on or off, but never was it "saved." The developers at Dynamic Karma said "let's make some pretty graphics while your computer is idle" or something of that sort, and lo, they made Magic, and it was good. The people rejoiced, and asked, "why for are you giving this away, when we would happily pay for it?" And then they united with software engineers at the Lawrence Berkeley Laboratory, and they brought forth Flying Toasters, after figuring out how to build the screen saver structure on the Mac. [more inside]
Plenty of people collect Disneyana, the toys, books, animation cels, and theme-park souvenirs. Then there are those fans who collect information and details on the Disney parks themselves, collecting official park maps or drawing up their own ride blueprints, assembling the design history behind the attractions, and even collecting vintage tickets and ticket books. Yesterland (previously: 1, 2, 3) is an ever-growing collection of Disneyland history, and has an updated collection of links to similar fan sites and Imagineering blogs, which is a whole collection of rabbit holes of nostalgia and behind-the-scense information. So grab a riding crop and pretend like it's the 60s all over again!
How They Look Now is a LJ community with one focus: finding more current pictures of past stars, from that kid in those 1980s Moody Blues videos (who went on to star on stage and screen), to the diverse cast of Legend (1985 trailer).
They'er ugly! They're weird! They're tiny! They're terrible! And they're pink! They're Kinkeshi, er MUSCLE Things!
"As a child, there was nothing to me more fantastic than than the M.U.S.C.L.E. toys. I don't know if it's just my love for the weird, or the fact that I like pro-wrestling that makes it so special to me, but there's something about a guy from outer space with a fin on his head who would fight against a walking, talking urinal. That's right, a urinal." In the US, they were known as Millions of Unusual Small Creatures Lurking Everywhere, or M.U.S.C.L.E., but they were basically bendable plastic duplicates of Kinkeshi, a line of collectable erasers from Japan. More than peachy-salmon colored minifigs, they were based on the world of Kinnikuman, which started as manga in 1979, then an anime series, and more, and more, and more... [more inside]
Space: 1999 (1975-77) is a British sci-fi series, the last production of Gerry and Sylvia Anderson who were first recognized for their work in "Supermarionation." This series saw the end of the couple, with Sylvia Anderson leaving the show at the end of the first season. She was replaced by Fred Freiberger, who brought in some Star Trek sensibilities and attempted to cater the show more to the American action-adventure audience. A third season was planned but not produced, and left the series unfinished, ending on an episode that was "like bad Shakespeare, or worse, bad Star Trek." Fans still support the show in many forms, even creating a semi-official fan-produced mini-episode entitled Message from Moonbase Alpha to bring some completion to the series, which was shown on September 13, 1999 at the Breakaway: 1999 convention. Another group of fans has recently taken to updating the whole series, to bring Space:1999 into the future. [more inside]
Let's take a jaunt back, to the early days of DOS, from the early 1980s to early 1990s. Way back to IBM PC DOS 1.00 and 1.10. Back when Bill Gates wrote code. This was the time of avoiding donkeys on the road (gameplay), gorillas lobbing explosive bananas over skyscrapers (gameplay) and a hungry line named Nibbles [a variant of the older Snake game] (gameplay). So have at it! Gorillas recreated in Flash | Flash tribute to Gorillas, with updated graphics | Snake | two-player Nibbles | Radical Snake (now with curves) | Snake (like Radical Snake, but with landscape obstacles) | Nibblets (All 10 original levels from the QBasic game Nibbles, but with a new control system) | Snake/Nibbles for Vim (download) | Donkey (QBasic source code)
Old-time radio (often abbreviated as "OTR," also known as the Golden Age of Radio) refers to a period of radio programming in the United States lasting from the proliferation of radio broadcasting in the early 1920s until television's replacement of radio as the dominant home entertainment medium in the 1950s, with some programs continuing into the early 1960s. The origin of radio dramas in the United States is hard to pin down, but there is evidence of a remote broadcast of a play in 1914 at Normal College (now California State University at San José), and the first serial radio drama was an adaptation of a play by Eugene Walter, entitled "The Wolf," which aired in September 1922. Given the age of the programs and the fact that home reel-to-reel recording started in the 1950s (followed by Philips "compact cassettes" in 1963), it might be surprising that quite a few of these old shows have survived. Thanks in part to original radio station-sourced recordings made on aluminum discs, acetates, and glass recordings and other unnamed sources, many radio dramas and newscasts from decades past are available online, and more are being digitized and restored to this day. [more inside]