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8 posts tagged with nouvellevague. (View popular tags)
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Love Will Tear Us Apart

Love Will Tear Us Apart
posted by philip-random on Feb 14, 2012 - 49 comments

Jacques Rivette

Jacques Rivette, who emerged in the 1950s... as one of the primary filmmakers of the French New Wave, is the most underappreciated (and under-screened) of this legendary group. Rivette’s deliberately challenging, super-size films defy easy assimilation, and demand a level of attention unusual even to his compatriots’ works. In addition to being considered difficult, however, Rivette’s body of work is also, arguably, the richest of the New Wave era, possessing an intellectual inquiry and humanity unmatched in the French cinema of his time. [more inside]
posted by Joe Beese on Jan 29, 2011 - 11 comments

Eric Rohmer, French filmmaker, dies at 89

"In many films, people never discuss ideas, whether moral ideas or political ideas. And if those kinds of discussions are in fact introduced, they always ring false. But I think I've managed -- and this is what I'm happiest about with my films as a whole -- I've managed to show people discussing morality, whatever that morality might be, in a completely natural way." Eric Rohmer, French filmmaker and editor of Cahiers du Cinema, has died at 89. [more inside]
posted by tractorfeed on Jan 11, 2010 - 40 comments

Rhymes with blahg

Nouvelle Vague covers New Wave and Punk (MLYT) Nouvelle Vague (no, not this one) does Bossa Nova covers of New Wave and Punk songs, including: Dance with me (Lords of the New Church), Master and Servant (Depeche Mode), Love will tear us apart (Joy Division), Making plans for Nigel (XTC), Blue Monday (New Order), This is not a love song (PiL), The guns of Brixton (The Clash), and one NSFW title [more inside]
posted by zippy on Aug 19, 2009 - 25 comments

French new wave music

The site French New-Wave isn't what you think it is. Neither dedicated to the film movement nor the band Nouvelle Vague it instead catalogs French new wave music from the 1980's. It has interviews and much other information, but the real treasure is the media section which includes a photo gallery, streaming radio and, most importantly, links to sites where you can listen to French new wave songs (unfortunately, some of the links don't work).
posted by Kattullus on Jun 12, 2007 - 10 comments

Happy Valentine's Day!

Love is in the air on Valentine's Day.
Dead Kennedys "Too Drunk to F***"
Holy Moses vs. Doro "Too Drunk to F***"
Purple Sex Heads "Too Drunk to F***"
Nouvelle Vague "Too Drunk to F***"
posted by Falconetti on Feb 14, 2007 - 25 comments

“Yes, but in my film time is shattered.”

"I would like to do better, to be better than I am". He's the French New Wave maverick and Academy Award winner (at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "the greatest film ever made", duly censored by French authorities. Four years later he baffled audiences with "the first modern film of sound cinema", shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "to stop death in its tracks" (French language link), only for one minute. But he is also the unabashed lover of la bande dessinée who learnt English by reading comic books and in the Seventies dreamed (French language link) of making "Spider-Man" into a movie (the Hollywood studios were not convinced), the MGM old-school musical and operetta nut so in love with design that "half of the fashion photography of the past 40 years owes a debt" to him. Now, Alain Resnais' new work, just shown at the Venice Film Festival where his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film inspired by an English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
posted by matteo on Sep 8, 2006 - 20 comments

Jean-Luc Godard

Aimez-vous Godard? That Is, If You've Actually Seen One Of His Films. Gilberto Perez's view of Godard is strictly personal, as all opinions of his work must be. It does highlight, however, how neglected the restless author's films have lately been. For people of my generation, he was absolutely essential. The supreme cineaste, both with an accent on the "e" (as a film-maker) and without (as a film enthusiast). Whatever became of the Nouvelle Vague? It seems to me that the contemporary cinema could well do with another blast.
posted by MiguelCardoso on Apr 22, 2004 - 28 comments

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