simply read Finnegans Wake. Since it is said to make more sense when recited aloud, you could start with this recording of James Joyce performing a passage from the "Anna Livia Plurabelle" section - which has been described as "one of the most beautiful prose-poems in English". [more inside]
"The Threat to Proust" by Roger Shattuck: When Proust’s novel fell into the public domain in 1987, three Paris publishing houses were ready with new editions that had been in preparation for several years. They all carry the same basic 3,000-page text with few variations. The differences lie in packaging and presentation. Laffont-Bouquins chose to publish three fat volumes prefaced by elaborate historical and biographical materials. Garnier-Flammarion produced ten pocket-sized volumes competently edited by Jean Milly. The new Pléiade edition, published by the original copyright holder, Gallimard, made the boldest, most ambitious, and most expensive bid to claim the market. In a combination of editorial, literary, and commercial decisions, Gallimard proposed to influence the way we read Proust and, to some degree, the way we approach all great literary works. [more inside]
Noel Perrin, "The Best American Novel about World War II": Guard of Honor is a classic (I think), but it is a hard one to put in an American literature course. Why? Because [James Gould] Cozzens was not a romantic. ... Its rightful place is as one of the greatest social novels ever written in America. [more inside]
In Praise of Older Women was condemned by some as some as pornography. In spite or perhaps because of that, it was a phenomenal seller. There is nothing pornographic about it. It is a beautiful and tender book, the semi-autobiographical tale of the amorous adventures of a young man who learns much, not only in matters of sex, from older women. It is a primer for men on the threshold of adulthood and a paean of elegant praise for older women. Unlike many male writers who write about women, there is no fear or hatred. In Praise of Older Women is warm and wise.
An ever increasing accumulation of film stills from Sergei Bondarchuk's 8-hour long epic film adaptation of Leo Tolstoy's War and Peace [more inside]