The comedy troupe Duck's Breath Mystery Theatre started in 1975 when five University of Iowa graduate students hoped to score some free beer. You may have heard Ask Dr. Science (Wikipedia) sketches on All Things Considered. Ask Dr. Science first ran in 1982 (or maybe on New Year's Day 1981) as a project of Duck's Breath members Dan Coffey and Merle Kessler on KQED. [more inside]
Gayle is a short weekly web-series about the hyper-competitive upper-middle class mom Gaye Waters-Waters and her relentless attempts to dominate the local chapter of Mothers Against Road Head. Episode one with links to the latest ten. NSFW audio.
Mike Birbiglia's Fresh Air interview gets awkward. From last week's This American Life live episode.
"First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches." Tina Fey's The Mother’s Prayer for Its Daughter from her new book Bossypants. You can hear her read this piece at the beginning of her interview with Terry Gross on Fresh Air.
A love song to Ira Glass.
Long Duk Dong: Last of the Hollywood Stereotypes? Related: Whatever Happened to John Hughes? which has an accompanying photo gallery: Where are Hughes' teen stars now? [A previous post about John Hughes here.]
This short NPR interview with two guys that do negative campaign ad voiceovers is not to be missed. They cover buzzwords, types of delivery, and then riff on nursery rhymes. [via notmartha]
The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]
Like, wow, man. NPR interviewista Terry Gross sits down with a talk with infamously legendary comedian Tommy Chong and the DOJ flunky who decided that he'd make a good target. The acrimony between Chong and the much more successful Cheech Marin seems to be healed, no doubt in part owing to their upcoming appearance together at the US Comedy Arts Festival. Terry gets down to business including the bust and the origins of the comedy duo, more interesting than one would expect.