MetaFilter posts tagged with nsfw and Film

Be Kind, Recycle (Film Footage)

filthy light thief — Sat, 27 Jun 2009 22:12:00 -0800

Sex Galaxy (trailer 1, trailer 2, NSFW) is a new film that claims to be the first "green film," as it is made of 100% recycled material. In an Wired article, director/producer Mike Davis discloses his film sources. "Boarded-up libraries, abandoned schools, decaying drive-in movie theaters…. These are the realms in which I unearth my wares," he said. "And actually, many of these films are available on the internet. You can find amazing collections through the Library of Congress." The Wired article notes that the recycled material isn't itself wholly original, and Bad Lit expands the history of film plunder further. Sex Galaxy is sourced from Voyage to the Planet of Prehistoric Women, which relied on footage from Voyage to the Prehistoric Planet, which in turn is sampled from the Russian film Planeta Bur. The history of film reuse is long and storied, and continues after the jump. Roger Corman, known for his frugal use of props and footage, was the mentor to Peter Bogdanovich, director of Voyage to the Planet of Prehistoric Women (which Corman produced). Then there's Sandy Frank possibly best known for bringing live-action Japanese film to the United States, but reworked through editing and dubbing. 10 of his films received the MST3000 treatment. Additional fun: Internet Archive hosts Voyage to the Planet of Prehistoric Women (1967), Voyage to the Prehistoric Planet (1965), and Google Video hosts Planeta Bur (1962) in it's original Russian form, without subtitles. Fugitive Alien and Star Force: Fugitive Alien II, Sandy Frank creations, were based on the 1978 Japanese series Sutâurufu (often called Star Wolf in the US). You can watch 4 of the original episodes online: Ep 1, Ep 2, Ep 3, Ep 4 The group These United States only used public domain footage for their video "Get Yourself Home."

Andy Warhol's Frankenstein and Dracula: almost begs the gorge to rise

filthy light thief — Thu, 21 May 2009 13:22:39 -0800

Though film is not generally Andy Warhol's field of greatest fame, some see his long and storied history in film as "where Warhol's supreme achievement lies". And then there are the two horror films from 1973: Andy Warhol's Frankenstein (or Flesh for Frankenstein) and Andy Warhol's Dracula (or Blood for Dracula). The two films were filmed quickly and inexpensively in the Spring of 1973, using the Roger Corman method of filming two movies at one location using the same actors to decrease costs. Frankenstein was filmed first, using Space-Vision 3-D. But filming 3D footage was too expensive and time-consuming, so Dracula was shot in standard 35mm film. The films are a mix of tribute to and parody of Italian horror films. Both movies were shot in and around Rome, and edited at the Cinecittà studios,which were opened by Mussolini in April 1937, and later the location for Roman Holiday and Ben Hur, amongst others. Despite the pedigree of the location, the content of the films were not the of the same sort, with gory effects in Frankenstein including innards [that] resemble lobster salad, an evocation that stresses the obvious expense of this production (NYTimes.com Bugmenot) and Dracula receiving an X Rating from the MPAA due to its violent and sexual elements. Regardless, or because of this, Both films were commercial successes by Factory standards in the United States, Europe, and, for the first time, Japan. These films would be the last two Factory films that Paul Morrissey directed, and the last Factory films in which Joe Dallesandro starred. Morrissey first worked at The Factory in 1965, sweeping the floor, a year prior to the making of The Chelsea Girls. Morrissey went on to take over the directing, pushing Warhol's films in more commercial directions. After these films, Morrissey continued to direct movies, though he stopped when it became harder to finance independent films. Dallesandro, probably the guy(parts) on the cover of Rolling Stone's Sticky Fingers, continued to have acting roles, though he now manages a hotel in the heart of Hollywood, where he lives with his cat Booky. The Andy Warhol Foundation for the Visual Arts has given these films to the Andy Warhol Museum. Dracula clips Movie teaser (1:29) Intro to the film (8:33), dubbed in Spanish Screen test (4:09), film director Paul Morrissey discusses his choices for cast members for the film Frankenstein clips German trailer (3:19), nudity and gore included US trailer (1:18), with minor spoilers Udo Kier (2:18), on censorship and Frankenstein ("It's a comedy, everyone knows the blood is syrup")

The trouble with CG is that nothing is left up to chance

filthy light thief — Fri, 15 May 2009 07:58:33 -0800

Since the mid 1990s, Don Hertzfeldt has been making animated shorts by hand. To date, his 8 primary films have an apprioximate runtime of 75 minutes, and in total have won 117 awards, all shot on 16 or 35 milimeter film. (There is another 8 minutes or so that was part of the Animation Show (previously).) His recent films have been shot on the same camera rig that recorded It's the Great Pumpkin, Charlie Brown (1966), as he noted in a 2007 interview (part of a Scene Unseen Podcast (direct link to the MP3)). Hertzfeltd is currently two thirds of the way through his most ambitious project to date, a trilogy of films which have been called "the closest thing on film yet to Kubrick's 2001: A Space Odyssey." (Video links inside) Ah, L'Amour (1995) - awarded Grand Prize Award for "World's Funniest Cartoon" in 1998 from the HBO U.S. Comedy Arts Festival (now known as The Comedy Festival). Genre (1996) mixes stop-motion and 2-D animation, and was shown on an episode of MTV's Cartoon Sushi in 1997. Lily and Jim (1997) - single-handedly animated from over 10,000 drawings, and was shown on an episode of MTV's Cartoon Sushi in 1998, and Hertzfeldt's first short with a vocal track. Billy's Balloon (1998) - The film was invited into Official Competition at the 1999 Cannes Film Festival (where Don Hertzfeldt was the youngest director involved), and it won the Grand Jury Award at the 1999 Slamdance Film Festival; has also appeared on Adult Swim and MTV Rejected (2000) toured North American theaters between 2000 and 2004, first as part of Spike & Mike's Sick and Twisted Festival of Animation, then with fellow animator Bill Plympton's films called "The Don and Bill Show," and finally as part of Hertzfeldt's own the Animation Show tour. Welcome to the Show/Intermission in the Third Dimension/The End of the Show - 3 shorts created as an introduction, intermission, and end for the first "Animation Show." The Meaning of Life (2005) is the result of almost four years of production and tens of thousands of drawings, single-handedly animated and photographed by Hertzfeldt. Everything Will Be OK (trailer) (2006) won the 2007 Sundance Film Festival Jury Award in Short Filmmaking, a prize rarely bestowed on an animated film. I am so proud of you (2008) Hertzfeldt traveled with the film on a sold-out special theatrical tour of his work in 2008 and part of 2009.

cult/horror/exploitation/B/sci-fi and basically any other genre to which one may refer as 'shit'

gerryblog — Sat, 26 Jul 2008 14:40:31 -0800

Wrong side of the art. This blog was originally made as an easy access page to view/manage my collection of movie posters specializing in cult/horror/exploitation/B/sci-fi and basically any other genre to which one may refer as 'shit'. Don't forget the blaxploitation, naziploitation, nunsploitation, and bruceleeploitation, and watch out out if you're at work: some B-movies aren't for kids.

Jonathan King Sings

jack_mo — Fri, 09 May 2008 10:32:03 -0800

Jonathan "King of Hits" King is a former pop impresario now best known for his conviction and imprisonment for having sex with teenage boys. He has turned his experiences into a satirical musical, Vile Pervert [NSFW], and released the film for free online. In one number, adopting the persona of Oscar Wilde, King asserts that "there's nothing wrong with buggering boys".

Lust

NickDouglas — Sat, 28 May 2005 01:07:02 -0800

Lust Films is like a witty indie movie with full-on sex -- the hardcore video equivalent to Nerve, Fleshbot, and Sex in the City. Porn plots have never been so...watchable! Extremely NSFW, especially the trailers.

The End Of Sexual Taboos: Erotic and Pornographic Cinema

nthdegx — Sat, 26 Feb 2005 20:46:15 -0800

The End Of Sexual Taboos: Erotic and Pornographic Cinema. Not safe for work.