"The thing I find very exciting is waiting for the subway train and sometimes you'll get a glorious one that arrives decorated like a birthday cake!" Watching My Name Go By is a short 1976 BBC documentary about graffiti, artists, and graffiti artists in New York City. The film is based on Norman Mailer's 1974 essay for Esquire magazine, "The Faith of Grafitti." [via]
One Year Lease is an 11 minute film that was featured at the Tribeca Film Festival documenting almost entirely through voice mail messages, One Year Lease documents the travails of Brian, Thomas, and Casper as they endure a year-long sentence with Rita, the cat-loving landlady. "
Consider an arthouse, darker, noir version of Men in Black with secretive alien refugees trapped in Manhattan, tentacle sex and concept art by H. R. Giger. Clair Noto's The Tourist could have been transformed into a great movie in the right hands. Instead, it has languished in permanent development hell since the 1980's. Some call it "the greatest scifi screenplay never produced" (Article, part 1 and 2.) Decide for yourself and read Noto's original screenplay. [more inside]
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
Because the film is a period piece, The Godfather actually presents a fascinating record of what 1940s-era New York City locations still existed in the early-1970s. Sadly, many of them are now gone. What still remains? Let’s take a closer look.
Opening Day of The Guggenheim Museum, 3:34 of color film shot on October 21, 1959 in NYC. “Buildings & Crowd” captures the their excitement as lines formed down Fifth Avenue. The end of the film highlights the inaugural exhibition within the rotunda. With works by Jean Arp, Constantin Brancusi, Marc Chagall, Stuart David, Max Ernst, Paul Klee, and Vasily Kandinsky.
An amateur film shot in 1939 by French tourist Jean Vivier documents a trip to New York City, in color.
James Nares' new exhibition 'Street' is at the Metropolitan Museum of Art, in NYC. It is an HD video of pedestrians in Manhattan, slowed way, way down. Watch 2:17 of the 61 minute piece here, and another 2:01 clip here. Villlage Voice, New York Times, Vogue, and an interview with Nares in Interview. [more inside]
Follow Tom Cruise as he navigates his way around Kubrick's Eyes Wide Shut Greenwich Village set [more inside]
New York Biotopes deals with abstract plants and creatures, which change their forms because of insufficient living space and adapt themselves to the surroundings of the metropolis New York City. Set to the music of Man Mantis. More videos from Lena Steinkühler on her Vimeo channel.
High maintenance: a nameless cannabis delivery guy delivers his much-needed medication to stressed-out New Yorkers in this character-driven web series.
A two-foot piece of wood or plastic mounted on wheels, it yields to the skillful user the excitements of skiing or surfing. To the unskilled it gives the effect of having stepped on a banana peel while dashing down the back stairs. It is also a menace to live and even limb. Life magazine article on skateboarding in New York City, from the May 14, 1965 issue. Pictures from that article are now online in larger form (one-page view on another site). See also: The New York Skate Movie trailer on YouTube. [more inside]
A Year of New York in 5 minutes. Cameraman Andrew Clancy lives in New York City, and was in the habit of shooting footage of what was going on around him whenever he was out. This is a compilation of life in the city, from the point of view of a New Yorker.
8 Hours in Brooklyn - Fantastic little compilation of slo-mo footage taken over the course of eight hours in BKLN. Extra good watched in fullscreen.
The Newport. Harry's. Fluties. Indochine. Nell's. Cornell Club. The New York Yacht Club. The regular places.
It’s about time people started rendering unto Liquid Sky. Its long lipstick trace is smudged through much of indie cinema. [more inside]
Alien Loves Predator makes an (abridged) map of NYC movies. Can you name all 91? (via) [more inside]
Have you ever gotten lost in the Myst-inspired architecture of Anthology Film Archives’ website, or struggled awkwardly with the Chinese puzzle box-construction of BAMcinematek’s calendars? Have you ever circled the block at Lincoln Plaza in search of the secret entrance to the fabled Walter Reade Theater? (Hint: look behind the waterfall.) Have you found yourself asking time and again, “What the fuck is Union Docs?”The brainchild of critic Paul Brunick, Alt Screen is a new site billed as "a comprehensive digital resource covering film exhibitions and related special events in the New York City area." The contributing editors include blogger Jim Emerson, Ignatiy Vishnevetsky [previously] and Nathan Lee (apparently coming out of retirement).
The Responsive Eye. Brian De Palma's 1966 film (25 mins) of the opening night of New York MOMA's 'The Responsive Eye' exhibition on op art.
"Toity poiple boids / Sittin on da koib / A-choipin an’ a-boipin / An’ eatin doity woims." From Atlantic Avenue to Zerega Avenue (map), the kinds of New York City accents made famous by the likes of Archie Bunker, Jimmy Breslin and Travis Bickle are disappearing. But though you may not often hear “foath floah” for "fourth floor" in Manhattan anymore, documentary filmmaker Heather Quinlan knows you can still hear strains of the old mellifluous tones in Brooklyn, Queens, Staten Island, and the Bronx, and that's exactly what she's setting out to document in her film If These Knishes Could Talk.
Brooklyn to New York via the Brooklyn Bridge as shot by the Edison Manufacturing Co. in 1899. (SLYT) [more inside]
A creative New York couple and their wonderful, vintage photographs: pioneering filmmaker, Morris Engel, and award-winning photojournalist, Ruth Orkin, who is renowned for her iconic American Girl in Italy. [more inside]
I work as a film location scout in New York City. My day is basically spent combing the streets for interesting and unique locations for feature films. In my travels, I often stumble across some pretty incredible sights, most of which are ignored every day by thousands of New Yorkers in too much of a rush to pay attention. As it happens, it's my job to pay attention, and I've started this blog to keep a record of what I see.
Motherfucker: The Movie to document the well known travelling party in NYC. Is it a "turn of the century Studio 54" or a "scene even beneath most hipsters"? And will we ever see a film of Michael T's other project, Rated X: The Panty Party? [photos here -- NSFW]