"Longings and Desires"
, a Slate.com book review by Amanda Katz:
[Sarah] Waters, who was born in Wales in 1966, has carved out an unusual spot in fiction. Her six novels, beginning with Tipping the Velvet in 1998, could be called historical fiction, but that doesn’t begin to capture their appeal. It is closer to say that she is creating pitch-perfect popular fiction of an earlier time, but swapping out its original moral engine for a sensibility that is distinctly queer and contemporary, as if retrofitting a classic car.
Her books offer something like an alternate reality—a literary one, if not a historical one. There may have been lesbian male impersonators working the London music halls in the 1890s, as in Tipping the Velvet, but there were certainly not mainstream novels devoted to their inner lives and sexual exploits. Waters gives such characters their say in books that imitate earlier crowd-pleasers in their structure, slang, and atmosphere, but that are powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex. (An exception is her last novel, The Little Stranger.) The most masterful of these books so far is Fingersmith, a Wilkie Collins-esque tale full of genuinely shocking twists (thieves, double-crossing, asylums, mistaken identity, just go read it). The saddest is The Night Watch, a tale told in reverse of a group of entwined characters during and after World War II. But among many readers she is still most beloved for Tipping the Velvet, a deliriously paced coming-of-age story that is impossible to read in public without blushing.
Famous writer Anne Carson
on ice bats: "I made up ice bats, there is no such thing." (SLNYT
) [more inside]
has spent most of his life cultivating spies and diplomats, who seem to enjoy seeing themselves and their secrets transfigured into pop fiction (with their own names carefully disguised), and his books regularly contain information about terror plots, espionage and wars that has never appeared elsewhere. Other pop novelists, like John le Carré and Tom Clancy, may flavor their work with a few real-world scenarios and some spy lingo, but de Villiers’s books are ahead of the news and sometimes even ahead of events themselves." (SLNYT)
Thank you for killing my novel
- A negative review in the NYT sparks a dialogue between an editor there and a fictional character from the book in question. [more inside]
Best selling authors Jennifer Weiner and Jodi Picoult speak out
about how the New York Times treats "chick lit": "when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention." [more inside]
Nina Sankovitch is about
to finish reading a book a day for a year. She not only reads them, she reviews
them too. "You can’t go from ‘Little Bee,’ by Chris Cleave, which is about this young woman who witnesses torture and herself is a victim of abuse in Nigeria — a really great book, but you’re just crying or your stomach is clenched — to another book like it the next day,” she said. “If I read a book like that every day, I would have collapsed a long time ago.”
Other 365 day projects have included this
The Pastiche of a Presidency, Imitating a Life, in 957 Pages
This is a very bad review of the Clinton book, soon to be released. My question: why has the New York Times placed a book review on its front page? Would they have done this if the book were given a good review? Is the "paper of record" making a clear-cut statement about its feelings about Clinton? Has any other book review made the front page of the NY Times? I for one plan to read the book. I recall that Edmund Wilson once said: always stick to primary sources rather relying upon what some scholar or reviewer has to say about a book.
Finally, Clinton is out of office (alas). How much longer will small and jealous puppies chase after The Big Dog?