ARTS MacArthur Foundation Announces 2016 ‘Genius’ Grant Winners [The New York Times] This year’s winners of the MacArthur fellowships, awarded for exceptional “originality, insight and potential,” and publicly announced on Thursday, include writers, visual artists, scientists, nonprofit organization leaders and others, who are chosen at a moment when the recognition and money — a no-strings-attached grant of $625,000 distributed over five years — will make a difference. [more inside]
Of Thee I Read: The United States in Literature [The New York Times] Reporters and editors on the National Desk of The New York Times were asked to suggest books that a visitor ought to read to truly understand the American cities and regions where they live, work and travel. There were no restrictions — novels, memoirs, histories and children’s books were fair game. Here are some selections. Recommend a book that captures something special about where you live in the comments, or on Twitter with the hashtag #natbooks. [more inside]
Henning Mankell, Dean of Scandinavian Noir Writers, Dies at 67 [The New York Times]
Henning Mankell, the Swedish novelist and playwright best known for police procedurals that were translated into a score of languages and sold by the millions throughout the world, died Monday morning in Goteborg, Sweden. He was 67. Mr. Mankell was considered the dean of the so-called Scandinavian noir writers who gained global prominence for novels that blended edge-of-your-seat suspense with flawed, compelling protagonists and strong social themes. The genre includes Arnaldur Indridason of Iceland, Jo Nesbo of Norway and Stieg Larsson of Sweden, among others.[more inside]
Patter and Patois by Walter Mosley [New York Times] Walter Mosley writes about his relationship to the literature of Louisiana.
“Louisiana flowed in that blood and across those tongues. Louisiana — a state made famous by Walt Whitman and Tennessee Williams, Ernest Gaines and Arna Bontemps, Kate Chopin and Anne Rice. These writers, from many eras, races and genres, took the voices of the people and distilled them into the passionate, almost desperate, stories that opened readers to a new kind of suffering and exultation.”
First editions, second thoughts: [New York Times] "On December 2, Christie's will auction 75 first-edition books, each of which is a unique object that has been annotated with words and/or illustrations by its author. Proceeds from the auction will benefit PEN American Center."
Closing a Chapter of a Literary Life [New York Times] Ahead of the American publication of his latest work, “The Book of Strange New Things,” Michel Faber discusses it and why it will be his last novel.
To Lure Young Readers, Nonfiction Writers Sanitize and Simplify: [New York Times]
"Inspired by the booming market for young adult novels, a growing number of biographers and historians are retrofitting their works to make them palatable for younger readers."
The Death of Adulthood in American Culture (SLNYTimes Magazine), by A.O. Scott: Comic-book movies, family-friendly animated adventures, tales of adolescent heroism and comedies of arrested development do not only make up the commercial center of 21st-century Hollywood. They are its artistic heart.
This Weekend, The New York Times went all in for poetry. In addition to six — count ‘em — articles about poetry in the Review, the Times also included an entire panel in its “Room for Debate” section in which the mostly white and mostly male panelists responded to the essentially rhetorical question “Does Poetry Matter?” with some version of the expected answer: yes. [more inside]
INTERVIEWER: "Was there some technical problem there? What was it that had stumped you?" HEMINGWAY: "Getting the words right."
To Use and Use Not: [NYTimes.com] "In an interview in The Paris Review in 1958 Ernest Hemingway made an admission that has inspired frustrated novelists ever since: The final words of “A Farewell to Arms,” his wartime masterpiece, were rewritten “39 times before I was satisfied.” A new edition of “A Farewell to Arms,” which was originally published in 1929, will be released next week, including all the alternate endings, along with early drafts of other passages in the book."
“Immortality is for suckers. If even a few of my words outlive me by even one hour, then I have cheated death.” - F. Gwynplaine MacIntyre
With the advent of December comes the annual ranking of the book industry's over-saturated market. Along with the garden variety Best Books of 2008 lists, niche critics weigh in on the best cookbooks (baking and regular), most trustworthy business publications, best children's book illustrations, safest bets for literary holiday gifts, and, of course, the prettiest book covers.
The author Rodney Whitaker is dead, taking along with him Trevanian, Nicholas Seare, Benat Le Cagot, and several of his other pen names. Under the name Trevanian he wrote The Eiger Sanction (1972) (which became a Clint Eastwood movie of the same name), Shibumi (1979), The Loo Sanction (1973), The Summer of Katya (1983), The Main (1976), Incident at Twenty-Mile (1998), and others. In real life, Whitaker was the Chairman of the Radio, Television, and Film Department at the University of Texas. He was believe to be 74 years old, and died of chronic obstructive pulmonary disease.
Czeslaw Milosz (1911-2004) - one of the greatest poets of the 20th century - passed away on Saturday in Krackow, Poland. I want to remember him here with this: "Conversation with Jeanne"
Can Poetry Matter - Part 2 (nyt reg req) "Today photography is considered by many to be the most effective way to convey the plight of war's combatants, victims and mourners. But during World War I it was through poetry that many Britons came to share the horror of life and death in the muddy trenches of northern France.....To this day, every time Britons go to war, the opening lines of Rupert Brooke's 1914 poem, "The Soldier," are remembered: "If I should die, think only this of me:/That there's some corner of a foreign field/That is forever England."..."