28 posts tagged with obituary by flapjax at midnite.
Displaying 1 through 28 of 28.
Today we bid a sad farewell to the last of the old-school Mississippi Hill Country bluesmen: Mr. Robert Belfour was a purveyor or that gritty, driving, riff-based, often one-chord Hill Country style pioneered by people like Mississippi Fred McDowell, and in more recent years popularized by artists like RL Burnside, Junior Kimbrough and Jessie Mae Hemphill. Let's take a listen, then, as we pay our respects to the "Wolfman", to some of his rocking, soulful blues. Here's Black Mattie, I Got My Eyes On You, Hill Stomp, Go Ahead On, My Baby's Gone, Done Got Old and You Got Me Crying. And here's an hour-long recording from February 2013, via NPR: Robert Belfour: Live In Concert.
It's time to say so long to legendary Mardi Gras Indian Big Chief Bo Dollis, who, for many years, led his Wild Magnolias through the streets of the Crescent City. Handa Wanda, Big Chief, Ho Na Nae and Jockomo Jockomo. Oops Upside Your Head [more inside]
Phil Everly, one half of the iconic and deeply influential vocal duo the Everly Brothers, has died at age 74. Marked by their sweet, tight harmonies and chopping acoustic guitars, tunes like All I Have To Do Is Dream, Bye Bye Love, Wake Up Little Susie, Cathy's Clown and When Will I Be Loved made an indelible mark on the musical consciousness of America.
The much-renowned and very influential singer, songwriter and bandleader Tabu Ley Rochereau, the legendary pioneer of soukous, has died. His music was characterized by his sweet, mellow voice, smoothly beautiful and quintessentially African vocal harmonies, and chiming, smooth-as-silk interwoven guitar melodies. Not to mention a steady, infectious beat that kept people moving on dance floors all across Africa for the past five decades. Here is but a small sampling, spanning from his very fruitful, prolific musical career: Mokolo Nakokufa, Muzina, Kaful Mayay, Bania Irene, Mongali... and since the man is said to have written as many as 3000 songs, there's plenty more out there to discover. RIP Tabu Ley Rochereau.
It's time to say farewell to one of the great and legendary voices of American music. Mr Bobby 'Blue' Bland has died. With the perfect combination of muscle and tenderness, grit and sweetness, he gave us so many stellar performances over his long career. Here are but a few: Ain't No Love in the Heart of the City, The Way You Treated Me, Stormy Monday, Further Up the Road, St. James Infirmary, I'll Take Care of You, I Stand Accused, That's the Way Love Is, Ain't Nothing You Can Do... and the list goes on. Thanks for the music, Bobby Bland.
Country crooner Slim Whitman has passed away at the grand old age of 90. His gentle, relaxed and pristine voice (featuring an effortlessly soaring falsetto and a mighty fine yodel, friends) is the kind that, well, you just don't really hear anymore on the pop music landscape. Let's take a moment to revisit a musical aesthetic that now seems a million miles away... Cattle Call, Rose Marie, North Wind, Blues Stay Away From Me and Indian Love Call. So long and happy trails, Slim.
Sadly, it's time to say farewell to a unique and visionary musician and musical thinker who developed and articulated an extraordinary method of directing large-ensemble improvisation with a method that he dubbed "conduction". Mr. Butch Morris has left us, but his ideas will surely reverberate in the hearts and minds of creative musicians and lovers of creative music everywhere.
Millions may know him best from one of the only lines he delivered in the Blues Brothers movie: "We had a band powerful enough to turn goat piss into gasoline". Others who notice these things will remember him as the guy who also played the bass in the Blues Brothers band. And those for whom Stax records and the Memphis sound are important will know him as the four-string foundation of the great Booker T and the MGs, and the man who lent his solid, no-frills bass lines to many a tune by soul luminaries Otis Redding, Wilson Pickett and lots of other greats. Memphis-born bassman Donald "Duck" Dunn has died while on tour (along with fellow legend and bandmate Steve Cropper) in Tokyo. RIP, Duck Dunn, and if there's any goat piss in heaven, I know you're gonna turn it into gasoline up there, too.
He's responsible for the deliciously relaxed and understated guitar work you remember from Rainy Night in Georgia and the driving chukka chukka whipsnap that propelled Aretha Franklin's Rock Steady, as well as her version of Spanish Harlem. And he's lent his masterful musical sense to many, many other tunes from artists as diverse as Ringo Starr, Archie Shepp, Joe Cocker, Miles Davis and Paul Simon. Guitarist Cornell Dupree has died at age 68. Primarily a studio musician, Dupree was more often heard than seen, but you can catch some glimpses of his Southern-fried six-string artistry on this live version of King Curtis' Memphis Soul Stew.
The Band singer and drummer Levon Helm is in the final stages of cancer, according to a note posted on his website Tuesday by his wife, Sandy, and daughter, Amy. [more inside]
Over its amazing 35 year run, Soul Train provided American television viewers with an incredible panorama, a veritable cornucopia of black popular music, and of course, entertained everyone with their legendary line dance segments. The man who created and hosted the show from its beginnings up until 1993, Mr. Don Cornelius, was on Wednesday found dead in his home, an apparent suicide.
Chances are that sometime, somewhere, out of the corner of one ear, at least, you've heard the iconic (yet all-but-forgotten) "Willie and the Hand Jive". Set to a Bo Diddley beat, it was an infectious little number that made quite a splash back in its day. Here's a fun live version of the bouncy tune, complete with the three largest dancing girls you're ever likely to see, and here's the original 1958 recording. The composer of the tune, the son of Greek immigrants who decided that the world of black music was where he wanted to be, was one Johnny Otis, who has just died at the grand old age of 90. Shortly after its release, "Willie and the Hand Jive" was covered by early rock icons like Bo Diddley and, across the pond in England, Cliff Richard. But apart from his most famous tune, Johnny did a LOT of recording and performing throughout his lengthy career, so there's... [more inside]
The man who lent his wonderfully warm and soaring voice to the rolling soul ballad Get It While You Can, the limber southern funk of Eight Days on the Road, the coolly driving How Come My Bulldog Don't Bark, the mellow soul lilt (with breathtaking falsetto interjections!) of I Learned It All the Hard Way and so many other delightful soul numbers has died. Farewell Howard Tate. [more inside]
Somewhere along the line, you might've heard one of the biggest hits to ever come out of the world of jazz: it was a song originally made famous by Les McCann and Eddie Harris back in 1969, called Compared To What. If you were in the right place at the right time, you might've even caught them doing it live. Or, if you were born a little too late for all that, you might've heard the song performed by John Legend and the Roots. Well, the man who wrote the song, Gene McDaniels, has just left us at age 76. RIP Gene McDaniels.
Louisiana-born, Texas-based record producer Huey Meaux, the so-called "Crazy Cajun", has died. He was the man behind Barbara Lynn's 1962 hit You'll Lose a Good Thing. Three years later, in a move to cash in on the British Invasion, he created a faux-British rock band called "the Sir Douglas Quintet" around San Antonio-born singer-songwriter Doug Sahm, and produced their hit, She's About a Mover. Meaux also produced Tex-Mex rocker Freddy Fender's bilingual hit Before the Next Teardrop Falls as well as Fender's Wasted Days and Wasted Nights. Sadly, however, Meaux had a very ugly darker side: he was arrested not once but twice on child-sex charges, doing prison time in the late 60s, and an 11-year bid from '96 to '07. Some of the ugly details of this side of his life are detailed in this Houston Press article from 1996, shortly after his arrest, which will pretty much make your skin crawl... Well, so long Huey.
Eugenio Arango, better known as Totico, a Cuban-born percussionist and singer who was one of the most celebrated figures in the drumming, dancing and singing culture of New York rumba, died on Jan. 21 in the Bronx, where he lived. He was 76.
Gladys Horton, a founding member of the pioneering (yet undervalued by Berry Gordy and Motown) girl group The Marvelettes, who sang lead on their 1961 classic Please Mr. Postman has passed on. [more inside]
Garry Shider, singer, guitarist and musical director of George Clinton's P-Funk All-Stars for much of their history, has passed on at age 56. Shider (the man in the diaper for so many P-Funk performances) was co-author of One Nation Under a Groove and many other masterpieces of the funk. RIP, Garry Shider.
The man behind the classic sound of Al Green, Memphis producer and soulmeister supreme Willie Mitchell has passed on. Many of the Al Green sides are legendary, of course, and very well known (as is the fantastic "I Can't Stand the Rain, by Ann Peebles), but be sure and head over to the excellent Funky 16 Corners where you can hear three of his lesser-known but deeply grooving productions. Fat stuff. So long, Willie Mitchell, and thanks for the wonderful music.
"The quest to undercut fashion’s standards of perfection, and to find beauty in the disdained, overlooked or overripe, runs throughout Mr. Penn’s career. In an otherwise pristine still life of food, he included a house fly, and in a 1959 close-up, he placed a beetle in a model’s ear." So long, Irving Penn.
Though many have long suspected that the title of John Lennon's Lucy in the Sky With Diamonds was a barely-concealed reference to the drug he was so fond of, Lennon himself always maintained otherwise, as in this interview with Dick Cavett, explaining that the inspiration for the fanciful name was from his son Julian, who'd brought him a drawing of his nursery school friend. That friend, one Lucy O'Donnell, just passed away.
Back in 1972, there was a fellow who had a novel idea for a porno flick. But when his producer objected to the movie's title, fearing no one would understand it, Gerard Damiano reassured him: "Don't worry, "Deep Throat will become a household word." And indeed it did. Now, 36 years after the infamous and influential film's release, director Gerard Damiano, aka Jerry Gerard, has gone on to that deep, deep throat in the sky. [more inside]
Dee Dee Warwick, sister of Dionne and a fine soul singer in her own right, recently passed on to that other shore. This blog entry on Dee Dee features mp3 links to her wonderful cover of the Elvis Presley hit Suspicious Minds and the heartrending She Didn't Know. More: I'm Gonna Make You Love Me, Monday Monday and Foolish Fool.
Don Helms, the steel guitarist in Hank Williams' Drifting Cowboys band, died on August 11. He was 81. Don provided the smooth-as-silk string stylings for over 100 of Hank's tunes, including Hey Good Lookin' and I'm So Lonesome I Could Cry. See Don demonstrate some of that steel guitar goodness in a snazzy version of Blues Stay Away From Me, or this instrumental rendition of Hank's Cold Cold Heart, or this sprightly little number, Fireball Mail. [more inside]
A musician passed away just the other day. In all likelihood you never knew his name. But you've probably heard him, no exaggeration, on thousands of occasions. He was drummer Earl Palmer, and some of the thousands of songs he propelled with his versatile grooves and masterful sense of time include Tutti Frutti and Lucille, La Bamba, Let's Go Get Stoned, I Don't Need No Doctor, Unchained Melody, You've Lost That Loving Feeling... the list goes on and on. Oh, and there's the TV themes he drummed on, like say, Mission Impossible. And here you can see New Orleans native Earl demonstrating how he put the beat under Professor Longhair's classic Tipitina and on Fats Domino's I'm Walkin'. He was one superb rhythmist. Au revoir, Earl Palmer. [more inside]
Legendary record man and music producer Jerry Wexler died on August 15, at the age of 91. His keen insight, and his deep love and appreciation for the artists he worked with resulted in an extraordinary enriching of American music. [more inside]