Eighty one years ago to the day, barber, banjoist and balladeer B.F. Shelton travelled from his home in Kentucky to take part in a recording session in Bristol Tennessee. Now referred to as the "Bristol Sessions", these recordings are widely viewed as some of the most important and influential in American music history. The four songs Shelton recorded that day, stark, simple and immensely powerful in their unadorned honesty, can all be heard here. After Bristol, Shelton never recorded again. [more inside]
posted by flapjax at midnite on Jul 29, 2008 - 16 comments

Alexander "Eck" Robertson (1886 - 1975) was one hell of a fine fiddler, friend. He made, in 1922, what many country music historians consider the first commercial recording of country music. And now some kind soul has made ol' Eck a MySpace page where you can get a taste (five tastes, actually) of some of that bodacious bowing. Then head over to Ragtime Annie's place. What? She's Done Gone? She must've run off with the Arkansaw Traveler. Guess you'll have to make do with that Turkey In The Straw. [more inside]
posted by flapjax at midnite on May 2, 2008 - 3 comments

For your weekend aural edification, courtesy of Internet Archive, a sampling of Old-Time and country blues gems: Buell Kazee's The Dying Soldier (1928), B.F. Shelton's Pretty Polly (1927), Geeshie Wiley's Last Kind Words (1930), Dock Boggs' Danville Girl, Kelly Harrel's Rovin' Gambler (1925), Clarence Ashley's My Sweet Farm Girl (1931), Charlie Poole's Don't Let Your Deal Go Down Blues (1925) and the Memphis Jug Band's A Black Woman is Like a Black Snake (1928).
posted by flapjax at midnite on Apr 18, 2008 - 13 comments

The stark, modal banjo and achingly poignant, weathered voice of the great Dock Boggs [previous] are the perfect aural accompaniment to a slideshow of William Gedney's [previous] powerfully intimate photographs: Kentucky, 1964. [more inside]
posted by flapjax at midnite on Apr 15, 2008 - 11 comments

Dreams and Songs of the Noble Old, a film by Alan Lomax, takes a loving look at the talents and wisdom of elderly musicians, singers, and story-tellers from southern American folk traditions. All the musicians featured in the film have soul and musical energy to spare: great, great performances and engaging reminiscences make this film a real treat. Please see the [more inside] for a collection of links to several of the outstanding performers featured in the film. [more inside]
posted by flapjax at midnite on Mar 25, 2008 - 15 comments

Each of the following MySpace Music pages features bios and/or photos and/or videos and/or miscellaneous related materials and/or up to four songs by each of the following Old Time, Traditional, Appalachian folk (and related) artists: Lowe Stokes, Clarence Ashley, Charlie Poole, Gid Tanner and the Skillet Lickers, Roanoke Jug Band, Roscoe Holcomb, Hobart Smith, The Weems String Band, Burnet & Rutherford, Bascom Lamar Lunsford, John Masters, Dock Boggs, Tampa Joe & Macon Ed, William Stepp, Buddy Thomas, Buell Kazee, Isidore Soucy, John Salyer, Cousin Emmy, Luther Strong, Elizabeth Cotten, Fred Cockerham, G.B. Grayson, Melvin Wine, Lewis Brothers, Uncle Dave Macon, George Lee Hawkins and Wilmer Watts. And here's some general Old Time (etc.) pages, featuring various artists: Dust To Digital, Traditional Music of Beech Mountain and North Carolina Folklife Institute. [more inside]
posted by flapjax at midnite on Oct 24, 2007 - 17 comments

For lovers of old-time, mountain banjo styles and songs, Roscoe Holcomb and Dock Boggs are revered figures. To many, however, plucker and singer David Akeman remains uncelebrated or unknown, even by his stage name of Stringbean. Is it because he was for a time actually famous as a country music showbiz staple, and therefore lacks folk cred? Or maybe the purists just can't get with those low-hanging pants the man was known for, his original hillbilly homeboy styling? Or was it cause on any given tune his left hand would likely be off the neck of the banjo more than on it? Whatever the reason, it's time folks took a new look at Stringbean. After all, the lines between folk and commercial styles have always been blurry in American music. Let's hear it for Stringbeeeeeeeaaan! [more inside]
posted by flapjax at midnite on Oct 17, 2007 - 15 comments

Are you ready, Hezzie? I have a complicated family history that allows be to be simultaneously from Washington state and Indiana. Over the last few years my tastes have migrated toward post-rock and traditional music played with a certain frantic desperation. Somehow, I knew that Indiana was a crossroads for these styles of music - but somehow, I missed out on the Hoosier Hot Shots, apparent popularizers of the beloved washboard!
posted by mwhybark on Jun 14, 2004 - 4 comments

Sure, we've all heard the classic old time radio dramas, but what about more recent classics, like the wonderful Jack Flanders series from ZBS Media? And what is being produced today? Bonus points if it's broadcast free online.
posted by rushmc on Jun 21, 2002 - 6 comments