The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience.
- Pauline Kael, 1982 [more inside]
posted by Trurl
on Sep 16, 2011 -
Nigel Kneale's adaptation of George Orwell's Nineteen Eighty Four was one of the most controversial television programmes of its time
. Broadcast live, it made "unusually extensive and imaginative use of filmed inserts (14 in total). These sequences bought time for the more elaborate costume changes or scene set-ups, but also served to 'open out' the action.
" And now you can watch it too! The full version is currently on Youtube
. Short of the John Hurt film released in 1984 being posted online, the 1954 BBC TV adaptation is about as doubleplusgood as it gets for now. [more inside]
posted by Effigy2000
on Dec 12, 2010 -
Three years after the failure of his recklessly ambitious Marxist epic 1900
, Bernardo Bertolucci returned to directing with La Luna
- a story of opera and incest
featuring a Golden Globe-nominated performance by Jill Clayburgh, then at the height of her late 70s fame. [Also appearing in small roles were Fred Gwynne and an up-and-coming Roberto Benigni.] Writing in The New York Times, Vincent Canby
described it as "one of the most sublimely foolish movies ever made by a director of Mr. Bertolucci's acknowledged talents." Roger Ebert
wrote, "Bertolucci has sprung his gourd this time." [more inside]
posted by Joe Beese
on May 30, 2009 -
"... we are sweeping everything under the carpet, but the oddness is cropping up all over the place. And then, the carpet starts to move…".
, "le manipulateur" who introduced his latest film, Caché
, at Cannes with a half-amused “I wish you a disturbing evening
”, is the proponent of a "cinema of disturbance
". A cinema of loving self-mutilation
, where time is non-linear
and everything happens in long take shots
; in Haneke's world, guilt destroys lives decades after the original sin
. All his male characters are "Georges" and his female characters are either "Evas" or "Annas", "because I lack fantasy
". Unsurprisingly, he is a Bresson and Tarkovsky fan
. He'll direct "Don Giovanni" at the Paris Opera in early 2006
: "In 20 years of working in the theater, I only staged one comedy, and that was my single failure".
posted by matteo
on Nov 18, 2005 -