Orange is the New Sorry Not Sorry | The third season drops June 12. It has everything. [more inside]
Mey from Autostraddle interviews actress and advocate Laverne Cox on her Emmy nomination, the epidemic of violence against trans women of color, and how to create a more supportive and loving community. [more inside]
(nearly) Every actor from Orange is the New Black in their roles in Law and Order. From the bittiest of bit parts to some fairly substantial recurring characters. Contains very mild spoilers for S2 of OitNB.
"There remains, however, one important group that the show barely, and inadequately, represents." Noah Berlatsky writes in the Atlantic about the portrayal of men in Orange is the New Black. [more inside]
Recently, the song "Bitchin' Camaro" by the band The Dead Milkmen was featured during the closing credits of an episode of the Netflix series "Orange is the New Black". Because the Universe is entirely devoid of pity, this somehow led to a mildly profound and deeply disturbing discussion between lead singer Rodney "Anonymous" Linderman's mother and himself on the nature of "selling out".
The one thing that drives me nuts about this show is all the snappy banter. I understand that they have to make the show interesting, but if a guard came in and saw that you had smeared food on the wall, they would have thrown a bucket and scrubber in and not fed you again until you cleaned that shit up. They certainly wouldn’t have allowed you to talk about the food on the wall, or wait for you to give this quirky explanation. This is like a scene from Blossom or something, where the guard is playing the exasperated Dad character. It’s like, “Oh, Piper! What wacky antics have you gotten into now?”One ex-con reviews Orange is the New Black. Part II, III.
After the controversial decision last month (previously) to leave actress and activist Laverne Cox out of their "Time 100" issue, Cox has become the first transgender person to grace the cover of Time magazine.
New Netflix original series "Orange is the New Black", based on a memoir by Piper Kerman about her year in a women's prison, and created by Jenji Kohan of Weeds, has been garnering heaps of critical praise. Plus, it's super gay. Of the show's "naïve yuppie" lead character, Jenji Kohan says "I don't think I could have sold a show about black and Latina and old women in prison, you know? But if I had the girl-next-door coming in as my fish out of water, I can draw a certain audience in through her that can identify with her, and then I can tell all of these stories once she's in, once we've signed onto this journey. She's just a great entry point for a lot of people."