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"It doesn't even need a conductor, and there is not even any need for rehearsals together. Each instrumentalist receives sheet music and a disc with the sound track to which he will be linked during the concert, and that way he can practice at home, by himself; and then they come straight to the concert and play freely, whatever they want. A sound that is random as opposed to planned, a precise pitch for a note, as opposed to a false note, that's what leads the work. And here, toward the end, order gradually prevails".
Arik Shapira talks about his new concerto for piano and orchestra.
posted by matteo on Nov 28, 2005 - 16 comments

San Carlo of the Symphony. Il Maestro Carlo Maria Giulini, orchestra conductor who passed away Tuesday at 91 "had an almost uncanny ability to transform the sound of an orchestra, any orchestra, into a dark and intense glow, which became his trademark over the years". "We have lost one of the greatest musicians of our time," says Esa-Pekka Salonen (.pdf), music director of the LA Philharmonic. Giulini has been called "the last humanist", a gentle man beloved by his orchestras, so humble in his approach to music that, always feeling the necessity to "fathom" each new work, it wasn't until the 1960s that he finally felt ready to conduct Bach, or the symphonies of Mozart and Beethoven. This from a man who, at the beginning of his career (as a viola player) had played under Richard Strauss. "I had the great privilege to be a member of an orchestra," Giulini said in 1982. "I still belong to the body of the orchestra. When I hear the phrase, 'The orchestra is an instrument,' I get mad. It's a group of human beings who play instruments." More inside.
posted by matteo on Jun 16, 2005 - 11 comments

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