"Painting is beside the point: the paintings in The Joy of Painting don’t matter." The joy of writing about The Joy Of Painting. In Which Bob Ross is Compared to God, Creator of Worlds. [more inside]
Ivan Aivazovsky (1817–1900) - "In 1840, Aivazovsky traveled to Rome, where he became friendly with Nikolai Gogol. He also received high praise from the Roman critics, newspapers, and even Pope Gregory XVI. The pope purchased Aivazovsky's 'Chaos' and hung it in the Vatican... [more inside]
The Memory of the Netherlands is an image library making available the online collections of museums, archives and libraries. The library provides access to images from the collections of more than one hundred institutions and includes photographs, sculptures, paintings, bronzes, pottery, modern art, drawings, stamps, posters and newspaper clippings. In addition there are also video and sound recordings to see and listen to. The Memory of the Netherlands offers an historic overview of images from exceptional collections, organized by subject to provide easy accessSearch 833928 objects from 133 collections from 100 institutions.
Savagery - Arcadia - Consummation - Destruction - Desolation. The five stages of The Course of Empire, a fascinating quintet of paintings by 19th century artist and Hudson River School pioneer Thomas Cole. In it, an imaginary settlement by the sea becomes the stage for all the dreams and nightmares of civilized life, a rural woodland grown in time into a glorious metropolis... only to be ransacked by corruption, war, and a terrible storm, at last reduced to a forgotten ruin. At times deceptively simple, each landscape teems with references to cultural and philosophical markers that dominated the era's debate about the future of America. Interactive analysis of the series on a zoomable canvas is available via the excellent Explore Thomas Cole project, which also offers a guided tour and complete gallery of the dozens of other richly detailed and beautifully luminous works by this master of American landscape art.
“We shall have a man in the White House who will feel as responsible for American civilization as he does for American power and prosperity.”
"It was no accident that arts funding was once again brought to national attention with the exhibit Hide/Seek: Difference and Desire in American Portraiture. Since the 80s, the enemies of the NEA have not been those with differences of opinion about what art should be supported or how. Instead they oppose any support at all for art of any kind." Hide/Seek, Culture Wars and the History of the NEA (NSFW, art)
The Modernist Journals Project collects literary arts journals from the late 19th and early 20th centuries, including both issues of Wyndham Lewis' Vorticist manifesto Blast, the first ten years of Poetry magazine (with Amy Lowell, T.S. Eliot, G.K. Chesterton and foreign correspondent Ezra Pound), topical essays, the Virginia Woolf-inspired December 1910 Project, the amazing proto-dada zine Le Petit Journal des Réfusées and a searchable biographical database of famous and not so famous artists and writers.
If you like 'fantasy' art (as opposed to comics :) and you're in DC I'd highly recommend checking out the JMW Turner exhibit at the NGA! [more inside]
Ben Frost is a painter, performance artist and illustrator who currently lives in Australia. His work explores themes of alienation, dispossession, and perversity that exists behind the facade of contemporary western society. By subverting mainstream iconography from the advertising, entertainment and political spectrum he creates a visual and conceptual framework that is bold, confronting and often contraversial.