A Piece of Monologue is a treasure trove of modern, contemporary, and avant-garde expression in literature, philosophy, art, design, painting, music, theater, and more. A smattering of insides: Flannery O'Connor on Ayn Rand. An online guide to the life and work of Samuel Beckett. Twin Peaks Behind the Scenes Photographs. Rare photographs of John Coltrane. And wow.
"[We] were looking at Hieronymus Bosch’s painting The Garden of Earthly Delights and discovered, much to our amusement, music written upon the posterior of one of the many tortured denizens of the rightmost panel of the painting which is intended to represent Hell. I decided to transcribe it into modern notation, assuming the second line of the staff is C, as is common for chants of this era." via Dangerous Minds
Giger's Necronomicon (yt) (nsfw) - a 1976 documentary about H.R. Giger with music by Joel Vandroogenbroeck of the Brainticket.
WIRED has been running a fascinating series: Olympic Physics: Can Runners Benefit From Drafting?, Scoring the Decathlon, New [Swimming] Platform Is No Chip Off The Old Block [more inside]
Mick Turner: The melodies stagger and dance and swing and fall like events, emotions and thoughts. For me this...is a celebration of life, all of it, good or bad, for me it's a way to understand things I can't say with words. [more inside]
Visual acoustics is a concept for interactive expression.
Fascination with ground and figure carries on in various fields after The Rubin vase / face Illusion, M.C. Escher, and Marshall McLuhan. Besides being extremely important in the fields of photography and poetry, the figure/ground relationship is important to physicist Paul Davies, who says "the true miracle of nature is to be found in the ingenious and unswerving lawfulness of the cosmos, a lawfulness that permits complex order to emerge from chaos, life to emerge from inanimate matter, and consciousness to emerge from life." Also, Peter Grundy and Yiang Yan discuss how contextual ground relates to linguistic figure in Bill Clinton's famous apology, Andrew Graydon plays with the distinction between sound as environment and sound as music, and W.C. Richardson creates paintings in which "positive and negative spaces seem unstable; figure becomes ground, ground becomes figure."