This stealthy undertaking was not an act of robbery or espionage but rather a crucial operation in what would become an association called UX, for “Urban eXperiment.” UX is sort of like an artist’s collective, but far from being avant-garde—confronting audiences by pushing the boundaries of the new—its only audience is itself. More surprising still, its work is often radically conservative, intemperate in its devotion to the old. Through meticulous infiltration, UX members have carried out shocking acts of cultural preservation and repair, with an ethos of “restoring those invisible parts of our patrimony that the government has abandoned or doesn’t have the means to maintain.” The group claims to have conducted 15 such covert restorations, often in centuries-old spaces, all over Paris. - Wired.com "The New French Hacker-Artist Underground"
George Whitman, founder of the Parisian landmark bookstore Shakespeare And Company, has died at the age of 98
“But I decided on the Mona Lisa, which was the smallest painting and the easiest to transport.” “So there was no chance,” asked the court, “that you decided on it because it was the most valuable painting?” - From Vanity Fair, the twisting, engaging story of how the Mona Lisa was stolen in broad daylight in 1911. (via)