This summer, The Paris Review interviewed two science fiction writers at length,
Samuel R. Delany and
William Gibson. Below the cut there are two passages, one from each interview. They aren't representative, they are just two of the many, many passages which have been going around in my head for the last few days.
[more inside]
posted by Kattullus
on Dec 25, 2011 -
37 comments
In reflecting on the project, McAllister feels “caught between the intimacy of each individual response, and the pattern of the cumulative replies.” The question remains: Why did they answer? McAllister claims no credit, describing his survey form as “barely literate.” He recalls that in his cover letter (no examples of which exist) he misused the word precocious—he meant presumptuous—and in hindsight he sees that he was both, though few writers seemed to mind. “The conclusion I came to was that nobody had asked them. New Criticism was about the scholars and the text; writers were cut out of the equation. Scholars would talk about symbolism in writing, but no one had asked the writers.” Sixteen year old boy dislikes English homework, goes outside the chain of command.
posted by villanelles at dawn
on Dec 5, 2011 -
55 comments
"I can’t imagine a nonfiction writer who wasn’t influenced by the fiction he or she had read. But the “thriller-like pacing” you find in my writing may come more from my own beat than from thrillers. I walk fast and am impatient. I get bored easily—no less with my own ideas than with those of others. Writing for me is a process of constantly throwing out stuff that doesn’t seem interesting enough. I grew up in a family of big interrupters."
Janet Malcolm interviewed by Katie Roiphe in The Paris Review.
posted by escabeche
on Jul 25, 2011 -
6 comments
"Like most committed crystal meth smokers, when he wants to share his pipe Duze does not take no for an answer." Clancy Martin, the author of How to Sell and a contributing editor of Harper’s Magazine, is hitchhiking from Kansas City, Missouri, to New York City in order to catch the last day of Christian Marclay's The Clock at the Paula Cooper Gallery.
Part I,
Part II [more inside]
posted by not_the_water
on Mar 2, 2011 -
12 comments
The DNA of Literature. The Paris Review, with a grant from the National Endowment for the Arts, makes available free .pdfs of fifty years of interviews with leading writers.
posted by rushmc
on Jan 12, 2005 -
7 comments
