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	<title>MetaFilter posts tagged with pd</title>
	<link>http://www.metafilter.com/tags/pd</link>
	<description>Posts tagged with 'pd' at MetaFilter.</description>
	<pubDate>Wed, 25 Oct 2006 15:41:06 -0800</pubDate> <lastBuildDate>Wed, 25 Oct 2006 15:41:06 -0800</lastBuildDate>

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		<title>Welcome to the music metaverse</title>
		<link>http://www.metafilter.com/55815/Welcome%2Dto%2Dthe%2Dmusic%2Dmetaverse</link>
		<description> &lt;a href=&quot;http://createdigitalmusic.com/2006/10/25/netpd-massively-multiplayer-music-online-collaboratively-or-if-you-like-in-a-cage/&quot;&gt;Imagine a massively multiplayer music studio, &lt;/a&gt;connected &lt;a href=&quot;http://195.176.254.167.9673/haupt/CallboysInCallcenter&quot;&gt;worldwide over the Internet&lt;/a&gt;. Log in, and everyone sees a set of &lt;a href=&quot;http://www.lawrencejoseph.org/analogsynth.html&quot;&gt;synths&lt;/a&gt;, &lt;a href=&quot;http://rogerroger.panicnow.net/PD_patches.htm&quot;&gt;effects, sequencers,&lt;/a&gt; or &lt;a href=&quot;http://pcm.peabody.jhu.edu/~rose/techandimprov/patches/&quot;&gt;other custom patches.&lt;/a&gt; Everyone&#8217;s looking at essentially the same screen, and can add beats, &lt;a href=&quot;http://195.176.254.167/~all/mp3/2006-08-19_r_exploring_bot2.mp3&quot;&gt;trip out effects&lt;/a&gt;, &lt;a href=&quot;http://195.176.254.167/~all/mp3/2006-08-24_1996-hommage.mp3&quot;&gt;slide the bpm up and down&lt;/a&gt;, &lt;a href=&quot;http://195.176.254.167/~all/mp3/2006-09-28-netpdmeetsUK.mp3&quot;&gt;and reprogram synths&lt;/a&gt; &#8212; all at once. That&#8217;s the basic idea of &lt;a href=&quot;http://www.netpd.org/About&quot;&gt;&lt;b&gt;netpd.&lt;/b&gt;&lt;/a&gt;  </description>
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		<pubDate>Wed, 25 Oct 2006 15:41:06 -0800</pubDate>
		<category>collaboration</category>
		<category>electronic</category>
		<category>metaverse?</category>
		<category>music</category>
		<category>online</category>
		<category>Pd</category>
		<category>performanceArt</category>
		<category>synth</category>
		<category>virtualworld</category>
		<dc:creator>bigmusic</dc:creator>
	</item>
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		<title>Open-source hardware projects for the electronic artist</title>
		<link>http://www.metafilter.com/53823/Opensource%2Dhardware%2Dprojects%2Dfor%2Dthe%2Delectronic%2Dartist</link>
		<description> To work around the proprietary whims of digital audio software developers and laptop processor limitations during the mid- and late-1990s, a small band of technically-minded people, including the electronic musician &lt;a href=&quot;http://alumni.media.mit.edu/~bwhitman/&quot; title=&quot;Brian Whitman&quot;&gt;Blitter&lt;/a&gt;, pulled together in the late 1990s to engineer the open-source &lt;a href=&quot;http://www.gweep.net/~shifty/death&quot; title=&gt;OPEN DSP&lt;/a&gt; EZ-Kit platform, a 16-bit computer designed entirely with a focus on low cost and extensible control and DSP arithmetic capabilities. While this project and &lt;a href=&quot;http://www.chameleon.synth.net/english/chameleon/&quot; title=&quot;Soundart Chameleon DSP effects/synthesizer&quot;&gt;similar commercial offerings&lt;/a&gt; never seemed to gain the critical mass needed to sustain long-term interest, perhaps the new &lt;a href=&quot;http://www.arduino.cc/en/Main/Hardware&quot; title=&quot;Arduino: An open-source computing platform based on a simple I/O board and a development environment that implements the Processing/Wiring language&quot;&gt;Arduino hardware&lt;/a&gt; project from MIT&apos;s &lt;a href=&quot;http://hardware.processing.org&quot; title=&quot;Open-source electronics hardware design group&quot;&gt;Processing hardware group&lt;/a&gt; may gain a foothold with &lt;a href=&quot;http://www.processing.org&quot; title=&quot;Open-source programming environment for audio and video design&quot;&gt;Processing&lt;/a&gt; and &lt;a href=&quot;http://puredata.info/&quot; title=&quot;Pure Data: Graphical programming environment for realtime audio and video processing&quot;&gt;Pure Data&lt;/a&gt; audio software hobbyists and artists alike, allowing the creative community to extend, enhance and share inventive uses of new technology. Arduino&apos;s use has &lt;a href=&quot;http://webzone.k3.mah.se/projects/implement/&quot; title=&quot;K3 Critical Interaction Design projects&quot;&gt;already begun&lt;/a&gt; in &lt;a href=&quot;http://televatr.org/urbanforest/documentation_exhibition_k3.htm&quot; title=&quot;K3 Urbanforest photography&quot;&gt;fascinating&lt;/a&gt; &lt;a href=&quot;http://televatr.org/urbanforest/about.htm&quot; title=&quot;About Urbanforest&quot;&gt;museum installations&lt;/a&gt; around the world, and has become a part of this year&apos;s &lt;a href=&quot;http://www.sonar.es/&quot; title=&quot;SONAR Media Festival&quot;&gt;SONAR&lt;/a&gt; and &lt;a href=&quot;http://www.aec.at/en/festival/&quot; title=&quot;Ars Electronica: Festival f&amp;#0252;r Kunst - Art Festival&quot;&gt;Ars Electronica&lt;/a&gt; festivals.  </description>
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		<pubDate>Sat, 12 Aug 2006 13:06:25 -0800</pubDate>
		<category>arduino</category>
		<category>art</category>
		<category>dsp</category>
		<category>electronic</category>
		<category>electronicart</category>
		<category>electronicmusic</category>
		<category>fsf</category>
		<category>gpl</category>
		<category>hardware</category>
		<category>ircam</category>
		<category>max</category>
		<category>maxmsp</category>
		<category>msp</category>
		<category>music</category>
		<category>opensource</category>
		<category>pd</category>
		<category>processing</category>
		<category>puredata</category>
		<category>software</category>
		<dc:creator>Blazecock Pileon</dc:creator>
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