Three young women, part of a literacy project called Get Lit, drop a powerful message on Queen Latifah's talk show. (TW: mentions of sexual assault, racism, assault)
“Your head is like obsidian,” she says to you, her hand passing North and South and East and West smooth across the surface, erasing away smudges, blood stains (but not scars, no, not scars, never scars) and the exoskeletons of memories bashed against a windshield.
You recall all you learned from geology classes as she continues to stroke your head. The glass forms because something very hot turns very cold, very quickly. This explains what’s happening right now — your body cooling rapidly against hers. Her skin broils, it could turn you into a naked volcanic glass statue and you would not really be surprised. And you would not mind.Short fiction by Mónica Teresa Ortiz. (Two illustrations contain nonsexual nudity.)
From what I saw the plurality of students and faculty had been educated exclusively in the tradition of writers like William Gaddis, Francine Prose, or Alice Munro—and not at all in the traditions of Toni Morrison, Cherrie Moraga, Maxine Hong-Kingston, Arundhati Roy, Edwidge Danticat, Alice Walker, or Jamaica Kincaid. In my workshop the default subject position of reading and writing—of Literature with a capital L—was white, straight and male. This white straight male default was of course not biased in any way by its white straight maleness—no way! Race was the unfortunate condition of nonwhite people that had nothing to do with white people and as such was not a natural part of the Universal of Literature, and anyone that tried to introduce racial consciousness to the Great (White) Universal of Literature would be seen as politicizing the Pure Art and betraying the (White) Universal (no race) ideal of True Literature.In the New Yorker Junot Diaz talks about MFA vs POC. [more inside]
The Tumblr blog People of Color in European Art History, or medievalpoc for short, has a simple mission: to showcase works of art from European history that feature People of Color. All too often, these works go unseen in museums, Art History classes, online galleries, and other venues because of retroactive whitewashing of Medieval Europe, Scandinavia, and Asia. [more inside]
Two writers discusses race, class, feminism and its intersections in this wide-ranging discussion about what feminism can mean for women of colour. Refreshingly substantive.