The first trailer for MANIFESTO, a feature length art firm made from a video installation by Julian Rosefeld staring Cate Blanchett and 13 manifestos.
"So David, when you look up in the sky, do you see poems up there?"
"Not until I put them there."
David Antin died today at 84. [more inside]
"Not until I put them there."
David Antin died today at 84. [more inside]
Performance duo DarkMatter on being LOL killjoys and drag as politics. (SL Guernica Mag). A great interview with trans South Asian performance artists Alok Vaid-Menon and Janani Balasubramanian, aka DarkMatter. DarkMatter's performances include It Gets Bougie, The Story They Never Told Us, White Fetish, Padma & Parvati Patil, and When Brown Looks in the Mirror and Comes Out White (all YT links). “I hear white men have huge—” “—Empires” [more inside]
"Brett knows all the top Chaturbate models and analyzes their shows with the intensity of a film critic. He’s even made a YouTube channel to share tips with potential cammers: Invest in studio lights, keep a consistent schedule and don’t text during a performance. Yet for all his professionalism, Brett is fairly new to the job." - How To Be A Cam Boy - Angelica Chapin profiles one of the most popular men in the online stripping business. (photos slightly NSFW)
The 1980s in San Francisco was fertile ground for a new type of theater, involving not only performance art but graphics, sculptural artists and musicians. Some astonishing productions were staged every year, each being a collaboration between the various disciplines. After each show had its run it dissolved into memory as only through those specific contributors could the production be realized. This was different than a standard play which existed on paper and could be performed ad infinitum by any number of theater companies. These "multi-media" shows existed only as long as the collaborators worked together. One sensed a specialness to each production, knowing that it would most likely never be staged again. [more inside]
20+ drones; 16,500 LEDs; 3 shamisen players; 1 Mt. Fuji: Filmmaker Tsuyoshi Takashiro orchestrates a performance combining drones and the Oyamakai shamisen ensemble.
Fulfilling the performance-art vision of her spirit-muse Emily, Esperanza Spalding played the music of her forthcoming album Emily's D+Evolution in concert at BRIC House in Brooklyn, N.Y. [1h3m video] on Thursday, March 3. WFUV and NPR Music presented a live video webstream of the performance as part of the First Listen Live series. [more inside]
The Inside-Out Piano. Pianist, inventor and performer Sarah Nicolls developed her unique ‘Inside-Out Piano’ to explore the belly of the instrument and to coax out some of its hidden sounds. In Moments Of Weightlessness, she explores the extraordinary unexpected characteristics of the instrument, moving it around the stage to gradually reveal her parallel journey into motherhood.
"Minutes after Kendrick Lamar scored his fifth Grammy of the night for Best Rap Album, he won the stage. Performing a medley that included "Alright" and "The Blacker the Berry," he approached the microphone chained to other black men in a makeshift prison block. What followed was a Biggie-invoking, glow-in-the-dark, Fela!-inspired event fit for Broadway."
Brittany Howard On Small-Town Life, Big-Time Music - "Howard was raised on her father's junkyard in the small town of Athens, Ala. 'It was a really interesting way to grow up', she tells Fresh Air." [more inside]
Arstechnica contrasts gaming performance between SteamOS on Steam Boxes and Windows 10.
Famed Shakespearean actor Sir Patrick Stewart recently appeared on NPR to perform a dramatic rendition of T. A. Swift's classic work, Blank Space.
Live standup/storytelling: 'New Yorkers Scream At Each Other When They're Being Nice.' [via mefi projects] [more inside]
"If I could write this shit in fire, I would write this shit in fire." Dominique Christina delivers the fiercest poem you'll ever hear.
American schoolkids had spelling bees, British schoolkids had Shakespeare competitions, Malaysian schoolkids had choral speaking: a Greek-theatre-inspired cross between spoken word and choir, commonly used to teach English. [more inside]
I'm Getting Really Tired of Living In This Quaint English Village [YouTube] - Original published humor piece performed before a live audience by Mefi's own The Whelk [previously] via MetaFilter Projects. If you want to read the piece along with the performance, here it is as it appears in The Toast.
Blair Bogin is a Chicago based performance and visual artist who creates videos/performances about things like living in your apartment, playing Rock Paper Scissors, and monologues on putting things in your mouth. [more inside]
Conchita Wurst (previously) might have made bearded drag famous with her 2014 Eurovision win, even popularizing it to an extent by inspiring mainstream outlets like RuPaul's Drag Race. But there's more to bearded drag and genderfuck drag than Conchita Wurst. Beards in drag have been around since the 1970s, notably as performed by The Cockettes and the Sisters of Perpetual Indulgence (previously). Here, bearded queens Lucy Stoole, Grace Towers, and Jeff Poulin speak about why they incorporate beards into their performances. (NB: drag queens are not synonymous with trans women.)
Shodo Performance Koshien is an annual competition, held in Ehime, of massive-scale Japanese calligraphy performed live by teams of high school students. (The videos with two-digit numbers in their titles are actual performances.) This year's will be held in Shikokuchuo-shi, Ehime, on July 26. Interested in trying it yourself, but don't feel like breaking the bank on an enormous horsehair brush? Try using a modified mop!
Alabama Shakes - Don't Wanna Fight [YouTube] From the new album "Sound & Color", live on Saturday Night Live. Previously.
I wanted to know why Emmett Kelly was such a big name. I mean there was no shortage of tramp clowns. Why was he a star? I was going to make it my business to find out. When the famous Joey joined on in Altoona, I watched every thing he did. There wasn’t much to watch. He had no props. He did no bits. He did not participate in the producing clown’s gags. He simply wandered around eating leaves from a head of cabbage. Mostly, he just sat in the audience, in full costume, looking sad, like Chaplin’s little tramp, eating cabbage. I was mystified, and disappointed. Why would a sharp guy like George A. hire such a lame act to do practically nothing? I didn’t get it. What’s so funny about eating raw cabbage? …by Lee Kolozsy at Sideshow World [more inside]
Playing for Change presents a video of children around the world performing the Bobby McFerrin classic. PFC works with local community groups to "inspire and connect the world through music". Some of their initiatives include helping to create a new music school in Cajuru, Brazil, providing resources to the Mother’s Society in Tintale, Nepal who help educate women and girls about their rights through music drama and dance, and a music program for children in the slums of Khlong Toey, Bangkok. They also create videos of performances by musicians around the world, like this fantastic version of Guantanamera performed by 75 Cuban musicians from Havana and Santiago to Miami, Barcelona and Tokyo. [more inside]
Wild Ones Live is an arresting reading accompanied by music, a collaboration performed as part of a live magazine by author Jon Mooallem, a science and nature writer whose book Wild Ones ruminates on the strange, ignorant, hopeful and poignant ways humans imagine other animals, and the musical project Black Prairie. Listen at your desk if you must, but if you can, pop in your earbuds and go outside for a long walk while you take it all in. [more inside]
"In my experience, the reminder that the sexual fantasy isn’t real, that the women who perform availability aren’t ACTUALLY available, that we aren’t ACTUALLY clamouring to be sexualized by men, that we control when the fantasy starts and stops, and that our performance is just that, a performance that requires compensation… well, some men find that hard to swallow." [more inside]
Exhibit B is a performance art piece by white South African Brett Bailey. The piece features black actors in still images depicting scenes of slavery and as asylum seekers in living installations that recall the human zoos (previously) of the 19th and early 20th Centuries. The piece has been highly controversial, it has attracted significant critical acclaim, being described by art critics as unbearable and essential and "hugely powerful, deeply unsettling, but vital viewing". [more inside]
Brenna Twohy, representing Portland, OR, performs her poem "Fantastic Breasts and Where To Find Them," about Harry Potter, pornography, and non-consent, at the 2014 National Poetry Slam.
"How High the Moon": Drag duo CoLo and Desarae Demuir warm up to Ella Fitzgerald.
Artist Walks A Cabbage In Public To Question How Society Value Things In a project that started since year 2000, Chinese artist Han Bing has documented a series of photographs that see him walking a cabbage on a leash in public.
How did Donelle Woolford's work cause Yams Collective (mNSFW) to withdraw from the Whitney Biennial? [more inside]
Multimedia artist Shigeyuki Kihara created Siva in Motion (SLYT), an entrancing exploration of taualuga, a Samoan type of dance. [more inside]
“Putting magic at the center of a play about a magician doesn’t seem like that radical a choice,” explained Teller’s co-director and co-adapter Aaron Posner. "But in the history, at least the modern history of producing 'The Tempest', it is a radical choice."
In 1952 Malaya, cabaret dancer Rose Chan's bra snapped on stage. Noticing the enthusiastic response from the audience, she decided to capitalise on this, and transformed herself into Malaysia's first (and so far only) Queen of Striptease. (Many of these links have NSFW pictures) [more inside]
Lousiana State University sophomore Lloimincia Hall becomes an Internet sensation after her perfect 10 performances in the floor exercise, combining gymnastics technical proficiency with hot dance moves.
Last night, the synthpop band Future Islands (previously on MF) previewed their new LP performing “Seasons (Waiting On You)” on Late Show with David Letterman. Singer Samuel T. Herring’s performance is always something to behold, but his gravely shouts and epic dance moves had a particular effect on Letterman, who seemed even more jazzed than usual.
Enra dance troupe performs Pleiades, synchronizing body movements with projected light and animation. [more inside]
Dakh Daughters are a band/theatrical performance art group from the Dakh Theatre in Ukraine, based around "rapid merging of styles and unexpected sound collages". A handful of songs on youtube: Rozy/Donbass, Gannusya, Papirosy, Блудница, Доля (a performance at/in support of the Euromaidan protests in Kiev).
Scholars often speak of ancient Greek masculinity and manhood as if there was a single, monolithic, simple conception. I will show that the ancient Greeks, like us today, had competing models or constructions of gender and that what it meant to be a man was different in different contexts. I will focus on three constructions of the masculine gender in ancient (classical and post-classical) Greece: the Athenian civic model, the Spartan martial model, and the Stoic philosophical model. I will focus on how these share certain commonalities, how they differ in significant ways, how each makes sense in terms of larger ideological contexts and needs, and, finally how constructions of masculinities today draw from all three. (10 page PDF) [more inside]
Is perfume art? Could it be? Or is it something else: a craft, a commercial product, an ornament, a luxury, a prosthetic, an aphrodisiac, a love letter, a prayer, a con? Why does it matter?[more inside]
Ry Cooder and Corridos Famosos: Live "From this rich catalog, Cooder cherry-picked only a dozen songs to include on Live but they’re fairly representative of his eclectic oeuvre. His picks also feature plenty of his guitar playing, which will please fans who felt (as I sometimes did) that his recent albums were a bit stingy with his greatest asset. " "The shows also were a family affair. The Corridos Famosos include Ry’s son Joachim on drums, Joachim’s wife Juliet Commagere on vocals, and her brother Robert Francis on bass, as well as an old friend and collaborator, Flaco Jimenez, the Tejano accordionist who was at Cooder’s side when he played this venue 34 years earlier. Terry Evans, another veteran of the 1977 shows, handles backup vocals, along with Arnold McCuller, filling in for Cooder’s other longtime singing partner Bobby King." Don't miss the clip at the end of the review. [more inside]
Everything Is Terrible digs up a real find: highlights from a Disney suited character performer training tape from 1976!
In the 2012 superbowl half-time show, rapper M.I.A. flipped off the camera while performing with Madonna. On September 19, the Hollywood Reporter revealed that the NFL has been waging a "secret legal war" over the incident, demanding $1.5 million and an apology from M.I.A. This week M.I.A. responded with a video statement (transcript at Pitchfork):
So, now, they’re scapegoating me into figuring out the goalposts on what is offensive in America. Like, is my finger offensive, or is the underage black girl with her legs wide open more offensive to the family audience? That’s basically what it comes down to. It's a massive waste of time, a massive waste of money, it’s a massive display of powerful corporation dick-shaking. They want me on my knees and say sorry so they can slap me on my wrist. Basically, so they can say it’s OK for me to promote being sexually exploited as a female than to display female empowerment through being punk rock. That is what it boils down to, and I’m being sued for it.[more inside]
Box. A choreographed performance incorporating a live human, two industrial robots, and projection mapping onto moving surfaces. You've seen projection mapping onto static surfaces, typically buildings. This takes it several steps beyond… and the result is stunning and beautiful.
The 1991 CBs made-for-TV movie adaptation of Shadow Of A Doubt and the 1943 Alfred Hitchcock version are based on the same source material and contain many of the same lines, beats, and scenes. So why is one considered a classic film noir and the other a flop? The Dissolve puts the two movies next to each other and tries to find out.