The late Roger Ebert writes about a piece conceptual artist Chris Burden performed at the Museum of Contemporary Art in 1975. Chris Burden previously on Metafilter.
35 full-length Viennese Actionist films 1957-1969. *NSFW* (Extreme graphic & scatological situations.) "The term Viennese Actionism describes a short and violent movement in 20th century art that can be regarded as part of the many independent efforts of the 1960s to develop 'action art' (Fluxus, Happening, Performance, Body Art, etc.)." Previously: 1, 2. [more inside]
"In the early 1970s, the artist Chris Burden pioneered a kind of sculpture that explored boundaries few people would care even to approach." The artist has had himself (in two of many examples...) nearly electrocuted and shot; some of his later and lighter work includes building complex model bridges and reconstructing a "Speed of Light Machine". He created a ghost ship, uninhabited and self navigated, and continues to surprise with his latest work.... [more inside]
"He spent three days in a room with a coyote. After flying into New York, he was swathed in felt and loaded into an ambulance, then driven to the gallery where the Action took place, without having once touched American soil. As [he] later explained: ‘I wanted to isolate myself, insulate myself, see nothing of America other than the coyote.’" ( documentary yt clip)
After Walker Evans Alternatively, After Sherrie Levine. In 1936, Walker Evans famously photographed a family of sharecroppers. In 1979, Sherrie Levine rephotographed Evans' work. Performance artist Michael Mandiberg has reproduced Levine's work online, made them available for printing, and assembled texts and wrote plays to give the site's conceptual art concept - and Levine's work - meaning, and a punchline.