Is perfume art? Could it be? Or is it something else: a craft, a commercial product, an ornament, a luxury, a prosthetic, an aphrodisiac, a love letter, a prayer, a con? Why does it matter?[more inside]
Visual artist Nick Cave (not of The Bad Seeds) worked together for months with students across various departments of the University of North Texas to present Heard, a visual and musical burst of vibrancy based on Cave's childhood experiences of colouring in horses and being told by his mother: "It doesn’t matter if it’s pink. If he wants it to be pink, it can be pink.". And not just pink, even.
Olivier DE SAGAZAN usually puts paint and clay on himself, and sometimes hardly seems human. Often monstrous, sometimes disturbing, you may find it beautiful.
Odyssey Works makes intensive, multi-disciplinary, multi-hour performances. For a lone audience member. And they're currently seeking that audience member. [more inside]
"Punk-artist-anthropologist Cameron Jamie has made three documentaries on violence; I’ve read about them all and seen just this one." The author speaks of "Kranky Klaus," LA-born artist Jamie's peek into the Austrian folkloric character Krampus, a sort of photo-negative of Santa Claus who comes on Christmas to punish bad children. [more inside]
A digital clock made of wood and operated by 70 workers for one continuous 24-hour period. "Even though the workers are trying hard to construct every single minute, they are constantly on the verge of failing."
Jaap Blonk, Namesake of the blonkorgan, performer, sound poet. AaaaaAAAøøøøøøøøøAEEEeeeiiiIIIIIiiiüüüüüüüüüüieeeeooooOUUUUUooooooo. [more inside]
The Downtown Show: The New York Art Scene 1974-1984 features, among many compelling pieces, works by Tehching Hsieh. Hsieh may be best known for his 1983-84 collaborative piece with Linda Montano, in which the two artists were tethered together at the waist with an eight foot rope -- for an entire year. [Previously mentioned here.]