Lumière and Company was a project realised in 1995 to mark the centenary of the Lumière brothers’ first movies. Forty directors were given the use of a restored Lumière Cinematograph and asked to make a film under 1895-style constraints: (1) the films could be no longer than 52 seconds; (2) no synchronized sound was permitted; (3) no more than three takes were allowed. Any editing had to be done in-camera. Nearly all of the completed shorts have been compiled into a YouTube playlist. Please note that some of the clips contain nudity: treat this post as NSFW. Les Frères Lumière previously: 1, 2. [more inside]
John Cage Unbound, A Living Archive is a multimedia exhibition created by the New York Public Library documenting their collection of videos, original notes and manuscripts of contemporary American composer and music theorist John Cage (1912-1992). "Cage believed that, following his detailed directions, anyone could make music from any kind of instrument" so the NYPL is asking visitors how they would bring his music to life, by submitting videos of their own interpretations of Cage’s work for possible inclusion in the archive. For more extensive collections of John Cage resources, see: WNYC: A John Cage Web Reliquary and Josh Rosen's fan page. [more inside]
Peter Greenaway (wikipedia, previously 1, 2, 3, 4) talks about Second Life Machinima (also, Vimeo of a talk from 2010).
Some kind soul recently uploaded, in five parts, a 1991 BBC Omnibus television documentary about Peter Greenaway, who never ceases to inspire me in his dedication to push film into new, richly interesting places, to liberate it from its addiction to stale 19th-century psychological narrative and to open it up to accept and incorporate all manner of artistic information it's usually denied. Cleverly titled Anatomy of a Filmmaker — Greenaway is an enthusiast of the nude human figure, which he sees as the single constant of art — it covers the filmmaker's career from his earliest shorts up through Prospero's Books. There are bits about the time he spent honing his skills cutting together British propaganda, his experience with painting and his longtime collaboration with Sacha Vierny. It also presents subsections on Greenaway's own inspirational creators, including John Cage and the increasingly-intriguing-to-me R.B. Kitaj.
Peter Greenaway speaks (what follows are short Youtube excerpts of a lecture by Greenaway): on the tyranny of celebrities; on Martin Scorcese; on airport bookshops and culture; on notions of media; on his belief that Bill Viola is worth ten Scorceses; on why he goes on making films; on the notion of the frame in theater and cinema; on Dutch producer Kees Kasander; on why we have to get rid of the camera: "There's a way in which a camera is essentially a mimetic tool which tells us how the world exists, and what it tells us is always going to be less interesting than what's really happening out there. Also: interview about 8 1/2 Women.
Tulse Luper Update: Twice before we’ve discussed Peter Greenaway’s “upcoming” multimedia project The Tulse Luper Suitcases: three movies, two books, a VJ tour (.wmv interview about a similar project, Nightwatching, to give you some idea of what a VJ tour is), and more. With the recent launch of the online multiplayer game, The Tulse Luper Journey , perhaps the project is no longer upcoming at all. The story centers on 92 suitcases related to the life of Greenaway’s alter ego Tulse Luper. Discovered in various locations around the globe, the suitcases illustrate the history of Uranium (and by extension the history of the 20th century). Read Greenaway’s lecture on the project here, hear an interview focused on the VJ performance here, or read stories attributed to Tulse Luper here. [More Inside]