The Lens Is Standard, the Photos Anything But Jerome Delay has been on a quest for simplicity while covering some of the most important stories in Africa for The Associated Press. For the last year he has relied almost exclusively on one camera, and one lens, a 50-millimeter F1.4.
Saved from a lynching: Enrico Dangino, friend of Vigilante Journalist photographs a man seized by a mob and about to be set ablaze, then, with the help of his compatriot, frees him. More photographs and blogging from the ground in Kenya's current political crisis from Vigilante Journalist. via.
Wrestling with Diane Arbus "She set up no lights, just pulled out her Rolleiflex, which was half as big as she was, checked the aperture and the exposure, and tested the flash. Then she asked me to lie on the bed, flat on my back on the shabby counterpane. I did as I was told. Clutching the camera she climbed on to the bed and straddled me, moving up until she was kneeling with a knee on both sides of my chest. She held the Rolleiflex at waist height with the lens right in my face. She bent her head to look through the viewfinder on top of the camera, and waited".