Amateur street photographer Chris Porsz wandered the streets of his native Peterborough for hours in the 70s and 80s, capturing brief portraits. After rediscovering his trove of photos, he was inspired to recreate some of the shots for his second book, Reunions (SLBuzzfeed).
Richard Prince's new "portraits" are a reminder that someone else can sell your Instagram pictures for $100,000. When does appropriation go too far? Richard Prince sucks, but his Instagram paintings [prints] are genius trolling. Why the latest copyright lawsuit matters, from experts. [more inside]
With her most recent series, Alienation, South African photographer Anelia Loubser finds the extraterrestrial in all of us. Here are the mugshots she used as source material. More Loubser at Behance, Facebook, and Twitter.
Seydou Keïta, self taught Malian portrait photographer, shot some of the most renowned portraiture of 1940 - 1960's Bamakan society. [more inside]
PhotoFunia: take a portrait, upload it, and see the magic.
Like to faire une photo? You're not alone. The inimitable (but perhaps for not much longer) National Geographic magazine has advice for taking portraits, travel photography, landscapes, excitingly vague 'adventure' photos and even plan old digital photography. After you've created magic how about selling it or getting published? Sharing is so 2007.
The Adaption to my Generation - daily portraits of Jonathan Keller...from 1998 to the present (as he states, "The project will continue until the day I die. Only then will it be complete, and worth its true value."). Also of note...his links page, which includes links to other "passage of time" (like the Portrait of Louise Anna Kubelka from birth to adulthood and Nicholas Nixon's "25 Years of the Brown Sisters") and "obsessive" (like Eat22 and 365 Plrds) photo projects...via Information Aesthetics.
Wrestling with Diane Arbus "She set up no lights, just pulled out her Rolleiflex, which was half as big as she was, checked the aperture and the exposure, and tested the flash. Then she asked me to lie on the bed, flat on my back on the shabby counterpane. I did as I was told. Clutching the camera she climbed on to the bed and straddled me, moving up until she was kneeling with a knee on both sides of my chest. She held the Rolleiflex at waist height with the lens right in my face. She bent her head to look through the viewfinder on top of the camera, and waited".