Pen and Pixel are well known for the outlandish covers they created for Southern rap labels Rap-A-Lot and No Limit. It's been about 12 years since their heyday, so people are now looking back at the artistry present under the surface of these covers. [more inside]
posted by reenum on Sep 17, 2010 - 39 comments

"What you're looking for as a retoucher is a broom, something that covers your tracks, some way of obscuring where you've been. The first thing [most] people take out is bloodshot eyes. That's the last thing I take out—the last thing I'd, like, just wipe, because that just makes it look retouched." -- from Jesse Epstein's video op-ed for the NY Times, based on her film Wet Dreams and False Images ("I know that's not airbrushed. I could put a million dollars that's not airbrushed."), one of three related short documentaries on physical perfection. "Each head has to be identical to the other head, so we don't want anybody putting sandpaper to the head." -- from 34 x 25 x 36. Via the latest installment of Shakesville's Impossibly Beautiful series. (Previous posts on retouching.)
posted by maudlin on Apr 3, 2009 - 51 comments

Photo Tampering Through History. A regularly-updated collection, from 1860 to present, of examples of photo manipulation. Sometimes the changes are made for historical revisionism, sometimes for political maneuvering, and sometimes it's just a "wtf?" The page is part of a larger body of work by Dartmouth's Hany Farid, who has some other interesting goodies online. [Warning for the Pepsi Blue detectives: In some of his pages, he's shilling for his consulting services]
posted by amyms on Aug 30, 2008 - 29 comments

Greg's Digital Portfolio Here's the way to make everybody unhappy with their own life. With Photoshop and other imaging tools, the advertising industry has implanted images of such impossible perfection that the things we encounter in our lives seem somehow tawdry and inqdequate. Greg is a "digital pre-press" artist that manipulates images to make them prettier, smoother, and more appealing--he makes the imperfect look perfect. On one hand, I am in awe of the command he has of his craft. But just as waxed apples make real apples seem uhealthy and crappy, what do such images of digitally mediated reality do for our relationship with the real world?
posted by curtm on May 9, 2005 - 41 comments