10b Photography has established itself as one of the world’s leading digital darkrooms, handling post-production for scores of award-winning photojournalists who trust that the company knows where to draw the line between processing and manipulation. [...] 10b is quick to point out that it is not a retouching firm. The term is often associated with Photoshop experts, who are hired to alter the look and shape of fashion icons, for example. So when it comes to defining Palmisano's role, it can get tricky. Post-processing in the digital age.
An Associated Press photo of last Wednesday's Middle East peace talks in Washington D. C. was enhanced for publication in Al-Ahram, Egypt's state-run and largest newspaper. Egypt's President Hosni Mubarak was electronically moved to a more central position.
Tornadoes have touched down in New Zealand, and journalistic standards have vanished into thin air, not surprising with the current standard of NZ news output.
Charlotte Observer photographer Patrick Schneider has been fired. After a 2003 incident in which the North Carolina Press Association stripped him of his awards for three pictures (before and after can be seen here) the Observer has fired Schneider over the alteration of this image. The question remains among photojournalists: is it unethical to alter a photo in such a way that it more closely resembles what the eye saw and the camera is unable to capture, or is this a deceptive practice that damages the public's trust?
This lengthy Los Angeles Times photo correction addresses the manipulation of a front page photo and the subsequent firing of its photographer. Working from two source photos, Brian Walski combined them in Photoshop to create a more compelling image, but was caught when someone noticed that some people appeared twice in the background of the modified photo. (via Fimoculous and others)