To say that Messiaen's Vingt Regards sur L'Enfant-Jesus (Twenty Contemplations on the Infant Jesus) is a masterpiece is a gross understatement. Over sixty years after its composition, it has rightfully earned the recognition of being one of the most important piano works of the 20th century. ... [It] is one of the most personal and intimate pieces Messiaen ever wrote, and it gives the listener a close look at Messiaen the person. Messiaen was a deeply religious person, and although his faith influenced every single piece he wrote, the Vingt Regards is almost like his own personal spiritual diary. -
Keith Kerchoff [more inside]
posted by Egg Shen
on Dec 13, 2012 -
16 comments
Marian McPartland's Piano Jazz is the longest-running cultural program on National Public Radio - having been hosted by Ms. McPartland from June 4, 1978 through November 10, 2011. Her guests included
Eubie Blake,
Carla Bley,
JoAnne Brackeen,
Ray Charles,
Alice Coltrane,
Chick Corea,
Bill Evans,
Herbie Hancock,
Andrew Hill,
Dick Hyman,
Ahmad Jamal,
Keith Jarrett,
Hank Jones,
Oscar Peterson,
Michel Petrucciani,
Marcus Roberts, and
McCoy Tyner.
posted by Trurl
on Feb 19, 2012 -
25 comments
Marc-André Hamelin composed
Circus Galop for the player piano. Performing it is impossible for a mere pair of human hands, but two people have tried to
fake it until they make it. Another has
transcribed it (or half of it, perhaps) for
one player. Often, people will run it through a MIDI sequencer of their choice, to make a
lively animation. Some have built
Arduino robots that
perform it. But, in the end, the best medium for a work this insane is the humble, yet manic
player piano (less manic, but clearer-sounding performance
here). Hamelin
himself has run his composition through one, managing to get his television host to start dancing as the closing credits fade out...
posted by Blazecock Pileon
on Jan 3, 2012 -
34 comments
Since the late '70s,
Gordon Monahan has been
making a
career of extracting the unheard from pretty much anything he can get his hands on.
Monahan's works for
piano, loudspeakers, video, kinetic sculpture, and computer-controlled sound environments span various genres from avant-garde concert music to multi-media installation and sound art.
Such pieces include
long string installations activated by wind (Long Aeolian Piano, 1984-88), by
water vortices (Aquaeolian Whirlpool, 1990) and by
indoor air draughts (Spontaneously Harmonious in Certain Kinds of Weather, 1996). His work for
electronic tone generators and
human speaker swingers (Speaker Swinging, 1982), is a hybrid of science, music, and
performance art, where
minimalistic trance music based on the Doppler Effect contrasts with issues central to
performance art such as physical struggle and '
implied threat'.
John Cage once said, "
At the piano, Gordon Monahan produces sounds we haven't heard before."
[more inside]
posted by wcfields
on Apr 29, 2011 -
4 comments
