Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
posted by Trurl
on Sep 29, 2011 -
At what point did the muse disappear and become replaced by the dramaturg? "Scripts aren't written, they're rewritten", goes the cry from all the script gurus - all the literary managers, editors, producers, dramaturgs - not just in theatre but film, too. Why do they say this? Because their jobs depend on it. If scripts were left alone, what would they do?
Dominic Dromgoole writes about playwriting in the UK.
posted by Panfilo
on Dec 19, 2004 -
Want to see some great theater and learn a bit about our great system of justice and capital punishment? Then The Exonerated
may be the show for you.The other night I went to see The Exonerated, which has been playing Off Broadway since last fall and is also appearing in theaters around the country this year. Composed wholly from court records and interviews by playwrights Jessica Blank and Erik Jensen, this documentary drama recounts true tales of horror from the American criminal-justice system. The actors sit downstage and read their parts as the stories of six innocent citizens condemned to death row unfold. If this sounds like a worthy endeavor, it is; if it sounds dull or didactic, it isn’t.
posted by nofundy
on Jul 3, 2003 -
stage play debuts in Toronto and former Kids In The Hall
alumni are implicated in its production. Deconstructed French farce, post-modernism run amuck, or yet another sign of the impending teevee apocalyse? (via BoingBoing
posted by MrBaliHai
on Dec 5, 2001 -
is a new play about the nobel-winning physicist richard feynman. the idea is intriguing, and if anyone should get the one-man-show treatment it's feynman
. but does the idea of alan alda playing feynman seem slightly off somehow?
posted by pxe2000
on Nov 3, 2001 -
, one of the longest theatrical experiences ever has finally opened in London, and according to one critic, there is no greater endurance test.
Always looking for an angle, The Guardian sent four journalists around London on May Day to see what other culture can be experienced in 12 hours, 40 mins.
Merope Mills did film - "9:15pm. Both Dennis and Annette are working at the box office and, on seeing me again, Annette throws me the look of a concerned landlady, as in, "Haven't you had enough yet?" I, drunk on moving images, defy her concern and head straight back in. I might as well not have moved - it's straight back to screen five where I'm feeling rather territorial about the sudden influx of people. Nod off in the epic Traffic (18) for 15 minutes but dream about Michael Douglas so decide this little discrepancy still counts."
posted by feelinglistless
on May 3, 2001 -