Twitter: @HardSciFiMovies imagines the plots of SF/F movies moving more in line with reality.... [via mefi projects]
Perhaps the most dangerous effect of the Big Crunch mentality has been to make television creators think of themselves as auteurs, to convince them that in spite of the massive interference with their work, they can somehow create a work of aesthetic integrity and sociological insight even if they don’t know where it’s going. Well, sometimes you get lucky, but more often, the result is disaster, and the effort spent toward that failure is redirected from where it would be better put: creating great trash. An essay on the challenges and pitfalls of writing serialized TV plots from The American Reader. [more inside]
In 1820–or so he claimed–he was offered the sum of £40,000 [equivalent to $3 million now] to rescue the emperor Napoleon from bleak exile on the island of St. Helena. This escape was to be effected in an incredible way–down a sheer cliff, using a bosun’s chair, to a pair of primitive submarines waiting off shore.
Is it time to be scared of seven year olds now? Muderous plot? From children? Sounds like a reporter using strong words for some playground craziness, and everyone overreacting. Reminds me of a certain show I saw last night...