The Emily Dickinson Archive is a collection of high resolution digital images of Emily Dickinson's handwritten manuscripts. Here are, for instance, Because I Could Not Stop for Death, Tell the Truth but Tell It Slant, I Dwell in Possibility, They Shut Me Up in Prose and I Heard a Fly Buzz When I Died. The whole collection is fully searchable and the images include the text of the poems as they were written down by Dickinson. The archive is a project of Harvard's Houghton Library but many other institutions provided manuscripts. Perhaps the best place to start is to simply browse the poems by title.
The only authenticated photgraph of Emily Dickinson is of a 16 year old girl. Amherst College now believes that a privately owned daguerrotype shows the poet as a 28 year old woman - about the time she wrote the "Master" letters.
Speculations have been made about Van Gogh, Julius Caesar, Dostoyevsky, Napoleon, and many others. A case has been made to add Emily Dickinson to their ranks.
American Verse Project is assembling an electronic archive of volumes of American poetry. Most of the archive is made up of 19th century poetry, although a few 18th century and early 20th century texts are included. Notables Include: Edgar Allen Poe, Carl Sandburg, Ralph Waldo Emerson, Emily Dickinson (Series , , ), Hilda Doolittle (H.D.), James Russell Lowell. [more inside]
Carla Bruni puts poems by Emily Dickinson, W.B. Yeats, Dorothy Parker, Walter de la Mare, W.H. Auden, and Christina Rossetti to music. Listen. (via)
One of only ten poems published during Emily Dickinson's lifetime, the poem beginning "Safe in their Alabaster Chambers" continues to be reproduced in conflicting versions. Emily Dickinson Writing a Poem lets us leaf through images of Dickinson's original manuscripts and correspondences concerning the poem. According to the site, this documents surrounding this poem offer "the only example of Emily Dickinson responding directly to another reader's advice." At one point, Dickinson apparently struggled to decide between at least three alternatives of the much-contested second verse. Also included is a history of the poem's early printings, providing an opportunity to note how many publications have ignored Dickinson's idiosyncratic punctuation.
How I Met And Dated Miss Emily Dickinson: Have you ever wondered what a favourite writer really looked like? Is there any relationship between an artist's face and their art? Hemingway looks like his prose; Ezra Pound like his poetry; Picasso is a dead ringer for his paintings but, say, John Updike doesn't resemble his fiction; T.S.Eliot looks like a bank clerk and Matisse was nothing like his works. How superficial can you get? [Via Arts and Letters Daily.]