Poetry in Hell contains a complete collection of poems recovered from the Warsaw Ghetto's Ringelblum Archives. The project, which took ten years to complete, gives English translations of poems that are shown in their original Yiddish. [more inside]
In 1945-46, some of the (very few) Polish Jews who had survived the Final Solution returned -- sick, poor, wounded -- to Poland. In Elie Wiesel's words, "they had thought all too naively that antisemitism, discredited 6 million times over, had died at Auschwitz with its victims. They were wrong." In 2001 Princeton professor Jan T Gross published the story of the 1941 destruction of the Jewish community at Jedwabne, Poland, and proved how Jews were rounded up, clubbed, drowned, gutted or burned to death not by German forces as previously believed but by mobs of their own non-Jewish neighbors. Now professor Gross tells the story of the Kielce pogrom in his new book, "Fear". Of course, the Kielce butchery took place in 1946 -- more than a year after the end of WWII and defeat of Nazism. More inside.
"They are demanding that I kill the children of my people with my own hands"On October 4, 1939, a few days after Warsaw's surrender to the Nazis, Adam Czerniaków was made head of the 24 member Judenrat, the Jewish Council (write "Czerniakow" in the linked page's search box) responsible for implementing German orders in the Jewish community (interactive map of the Warsaw ghetto). On July 22, 1942 -- Tisha B'Av, the "saddest day in Jewish history" -- the Judenrat received instructions that all Warsaw Jews were to be deported to the East (exceptions were to be made for Jews working in German factories, Jewish hospital staff, members of the Judenrat and their families, and members of the Jewish police force and their families. Czerniaków tried to convince the Germans at least not to deport the Jewish orphans). Czerniaków kept a diary from September 6, 1939, until the day of his death. It was published in 1979 in the English language as the "The Warsaw Diary of Adam Czerniaków: Prelude to Doom", edited by one of the most prominent Holocaust scholars, Raul Hilberg. More inside.
Eroica. Film director Andrzej Munk’s tragic death at age thirty-nine might have formed the plot for one of his own darkly sardonic works: a Polish Jew and an active resistance worker during the war, he was returning home from shooting his film Passenger at the Auschwitz concentration camp in 1961 when an oncoming truck struck his car. He left behind only four feature films, but his influence was prodigious. As one of the key figures of the postwar “Polish School” of filmmaking, along with Wajda and Kawalerowicz, he helped to shape a vision that broke with the official social realist optimism of Eastern-bloc dogma and cast a skeptical eye on official notions of heroism, nationalism, and life in the Stalinist-occupied state. Mentor to Roman Polanski and Jerzy Skolimowski, his influence can be felt even in the films of a later generation of Polish filmmakers — directors like Zanussi and Kieslowski. More inside.