Dazed by the recent Blondie retrospective at the (former) Chelsea Hotel? Celebrate Blondie at 40 with some music videos : = Dreaming Union City Blues Hanging on the Telephone Rip Her to Shreds Heart Of Glass (modern retake) Denis X Offender Atomic Rapture The Tide Is High One Way Or Another
Ida Maria is a 26-year-old Norwegian pop-punk-rock musician whose music is both catchy as shit and surprisingly vulnerable. Her lyrics are simple but sometimes uncomfortably honest. Her first album had two big hits with excellent music videos: I Like You So Much Better When You're Naked and Oh My God. Other songs off the album that I'm fond of: Queen of the World (my personal favorite); Louie; Keep Me Warm. Her second album, Katla, has a more eclectic sound, ranging from the vintage pop-inspired Quite Nice People to the horn-driven I Eat Boys Like You For Breakfast to the dirty Bad Karma to the sillier Cherry Red.
It’s maybe a little early yet for year’s end retrospectives, but who cares: we’ve got 157 songs, 10.5 hours, 1.12 GB of “some of the best and most notable music from 2010... covering indie, pop, rock, punk, folk, rap, R&B, soul, dance, country, modern classical, ambient and electronic music, and in many cases, hard-to-classify genre hybrids.” —Curated by FluxBlog’s own Matthew Perpetua.
Joe Pop-O-Pie led his San Francisco punk band Pop-O-Pies through countless performances of the band's "hit", an idiosyncratic cover of the Grateful Dead's Truckin'. As the 1980's closed, Joe fell off the map while his other projects went mainstream, but last month the Pop-O-Pies reunited for one more Truckin' performance.
Cruella de Ville, the band, were formed by fraternal twins (with identical voices) Philomena and Colum Muinzer. They were probably best known for their single, "Those Two Dreadful Children", which appeared on Dr. Demento's show a number of times. CdV were only around for a short time (1982-1984) before dropping off the map
, but thanks to the internets and youtubeses, we can revisit their tiny catalogue: pop nuggets in a manic, cheeky, theatrical punk vein. But just when you thought you'd pegged their sound...