Lana Del Rey: Why a Death-Obsessed Pop Siren Is Perfect for Late-Stage Capitalist America
(mirrored at Salon.com
Lana Del Rey is pushing the envelope, and here's her message, delivered with a languid pout: 21st-century America is a rotting corpse, deadlocked culturally, economically, and politically. Since there's nothing we can do about it, let's enjoy ourselves as the body-politic disintegrates, perhaps by savoring some toothsome bites of the past: candy-colored Super 8 films, juicy jazz tunes and clips of sultry screen sirens. The future is a retrospective.
posted by joseph conrad is fully awesome
on Jul 11, 2014 -
All of this echoes the ancient danse macabre, the dance of death, the motif that sprang out of the medieval horrors of war and the plague. It's a plea for fevered amusement while you've still got time.
While we've discussed it before
, the link was removed but YouTube's new content guidelines have allowed it to be re-uploaded. In 2001, photographer and filmmaker David LaChapelle
directed a video to be shown before Heatherette's first runway show and MAC cosmetics in-store video. Starring Amanda Lepore, the 6 minute video is a bizarre gunshot of pink lipstick, gay cowboys, 80s pop music, and constant full frontal nudity. YouTube
(sign-in required) Vimeo
posted by The Whelk
on Aug 11, 2013 -
The Guardian has compiled a list of their top fifty arts videos
, the majority being from either rare or obscure sources and uploaded onto YouTube.
posted by djgh
on Aug 30, 2008 -
"Anyway, the idea behind this site is similar to stumble: provide links and representations to (of) artists that I love. To that end I've already started populating the music, photography, visual arts and motion arts sections with some art I hope you really enjoy (and real links to the amazing artists responsible)."
[And check: via via via
posted by peacay
on Aug 6, 2005 -
Page after page of late 50s/early 60s pop posters, advertisements and more, designed by the studio of Lefor-Openo
which consisted of Marie-Claire Lefort and Marie-Francine Oppeneau. Via Papel Continuo
posted by iconomy
on Jun 29, 2005 -
Nick Hornby discusses pop music in this NY Times essay:
"Maybe this split is inevitable in any medium where there is real money to be made: it has certainly happened in film, for example, and even literature was a form of pop culture, once upon a time. It takes big business a couple of decades to work out how best to exploit a cultural form; once that has happened, 'that high-low fork in the road' is unavoidable, and the middle way begins to look impossibly daunting. It now requires more bravery than one would ever have thought necessary to try and march straight on, to choose neither the high road nor the low. Who has the nerve to pick up where Dickens or John Ford left off?
In other words, who wants to make art that is committed and authentic and intelligent, but that sets out to include, rather than exclude? To do so would run the risk of seeming not only sincere and uncool - a stranger to all notions of postmodernism - but arrogant and vaultingly ambitious as well."
posted by grumblebee
on May 26, 2004 -
is to the iconic saucer-eyed urchins
of the '60s as Salvador Dali is to Hickory Dickory Dock. His delicate palette, fine details and classical references offer compelling counterpoint to the deliciously disturbing imagery of les tykes terrible
in collections such as "Blood: Miniature Paintings of Sorrow & Fear"; "Bunnies and Bees: Paintings Created to Illustrate DIVINE TRUTH in Accordance with the Secret Principles of SCIENCE AND SOUL"; and "The Meat Show: Paintings about Childen, God, and USDA Grade A Beef". Plus, they're kids - with big eyes
posted by taz
on Sep 8, 2003 -