Jon Brion gets around. As a composer, he scored some of the best movies of last decade and change – Punch-Drunk Love, Eternal Sunshine of the Spotless Mind, Synecdoche, New York, and I ♥ Huckabees. As a producer, he's worked with Fiona Apple, Kanye West, Aimee Mann, and the excellent bluegrass outfit Punch Brothers. He writes pop music like the best of them – witness Meaningless, Knock Yourself Out, Here We Go, or Didn't Think It Would Turn Out Bad for a nice sampler of his style and range. His live shows are notoriously whimsical and eccentric – he's apt to perform Radiohead's "Creep" in the style of Tom Waits, or cover Stairway to Heaven as a one-man band, recreating all the parts to its climax on the fly.
Talking Heads, Live in Rome, 1980 The Talking Heads concert film you haven't seen: the show that would eventually be recorded in the (awesome) concert film Stop Making Sense 3 years later, recorded while it was still a bit weird and uncertain. And therefore, wonderful. [more inside]
The art house review/criticism series Brows Held High decided to tackle Nicolas Roeg/David Bowie's 1976 The Man Who Fell To Earth by reviewing it as a karaoke medley of Bowie's greatest hits.
The Monkees' Head: 'Our fans couldn't even see it' At the height of their fame, the Monkees teamed up with Jack Nicholson to film the psychedelic classic Head – and destroy their careers in the process. So how do they feel about it now? [more inside]
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing. Part 1, part 2, part 3, part 4, part 5.
The Guardian has compiled a list of their top fifty arts videos, the majority being from either rare or obscure sources and uploaded onto YouTube.
R. Luke Dubois' Billboard is a study in time-lapse phonography. Dubois digitally analyzed every #1 Billboard single from 1958 to 2005 and found a "spectral average" sound for each song. Every second of the piece represents one week in music history. The results are more interesting than you might think: compare the Beatles-dominated 1964 with the more processed, percussive sounds of 1997. Dubois has also created a time-lapse study of Oscar-winning movies. See also: "Chart Sweep" (scroll down to bottom of page). (via)