How Mountain Dew Came to Perpetuate a Deep-Seated Appalachian Stereotype As Mountain Dew taps into tropes of corn-syrup-free authenticity and nostalgia for "backwoods" "renegades" and "rebels" with its throwback drink Dewshine, a daughter of Appalachia considers how the beverage reflects cultural stereotypes. [more inside]
American Sabor: Latinos in US Popular Music is a currently traveling Smithsonian exhibition exploring the wide range of Latino artists and influences which have shaped American pop music genres since WWII, from Alice Bag to Flaco Jimenez to Herb Alpert and the Tijuana Brass to Joan Baez. The website is rich with maps, interviews, videos, and music samples.
"...A Fourth of July picnic, a Sunday Best church revival, an urban rock concert and a rural civil rights rally"
There was a historic music festival in the summer of 1969. But it's not the one that took place in Bethel, NY. The Harlem Cultural Festival ran from June 29 to August 24 that summer, presenting a concert every Sunday afternoon in Mount Morris Park (known today as Marcus Garvey Park). Three hundred thousand people turned out for the six free concerts, hearing acts like Nina Simone , Sly & the Family Stone (the only act to play both Woodstock and the "black Woodstock"), Stevie Wonder, Mahalia Jackson, The 5th Dimension, Moms Mabley and. Speakers included Jesse Jackson and "blue-eyed soul brother" Mayor John Lindsay. Security was courtesy of the Black Panthers, since the NYC police refused to provide it. Filmmaker Hal Tulchin recorded over 50 hours of concert footage, which has remained unreleased. Historic Films seems to hold the footage; it was supposed to be made into a movie to premiere at Sundance 2007, but its release seems to be continually delayed for reasons unclear. [more inside]
Music from Morrisania: Dr. Mark Naison, urban historian at Fordham University and principal investigator of the Bronx African-American history project, leads a musical tour of one South Bronx neighborhood from the 1950s to the present, describing how hot summers, open windows and a fertile mixing of ethnic groups influenced landmarks in American musical history -- from Tito Puente to "Watermelon Man" to KRS-One.