10 posts tagged with pop by filthy light thief.
Displaying 1 through 10 of 10.
Parentz invite you say hello or goodbye to summer with Beach Body, the music video for their vapory electro-pop + r & b single. It's warmer than their prior ice-pop/ moving-on-with-your-life-pop/ now-pop/ otter-pop/ whatever-pop EP FP&B<3Z1:FLY (music video: Fly) from 2013. They also have a future-pop EP, titled Big (music video: Back It Up), that they released in 2011.
Time indeed does not exist on Prince albums. Perhaps that’s why he’s kept releasing one or two every few years even long after his hit-making days ended. At age 24, on “1999,” he established a dichotomy—“I don't wanna die / I’d rather dance”—and at age 57, he seems to be taking that idea of dance-or-die more literally than ever. Who cares if fewer and fewer people are listening? Who cares if releasing exclusively to Tidal will limit his audience further? What matters is that Prince is working, and that the holy devoted will follow him.Spencer Kornhaber reviews HITNRUN Phase One on The Atlantic, warning that both Prince and "the gnarly funk-rock and R&B that made Prince famous" are in short supply on the album, which is produced by Joshua Welton, who said the album is "an experimental Prince record for fans who just don’t care about him sounding like a certain thing." [more inside]
The Magician was initially a mysterious mixer who released Magic Tapes, mixes of disco, house and pop without tracklists, challenging listeners to compile tracklists themselves, and they did. But he stepped out from behind the curtain, remixing Lykke Li's "I Follow Rivers" and later his debut single, "I Don't Know What To Do" feat. Jeppe. In 2013, he signed with Parlophone, but has continued making his Magic Tapes. Last month, he celebrated his 50th mix with Mixmag TV and Arches. [more inside]
Here's a look back at sounds of summers past, with a review of EMI's series of Balearic compilations, and for a bit more mystery and diversity, mixes that focus and include Balearic styles from Test Pressing. If the whole "Balearic" thing is confusing, Boiler Room TV has a nice write-up with photos from the period to set the mood, where the music was a mix of mixture of soul, reggae, rock, pop, and Latin, mixed with chill out, lounge and dance music. [more inside]
If you've browsed collections of glassware from decades and centuries past, you might scratch your head and wonder, what exactly was the use of this item? This reverse glossary of vintage and antique terms may help, or it might confuse you further. For instance, why were there fine glass celery dishes and celery vases of glass and silver? Take a look back, at home in the nineteenth century with celery at the dining table. Celery was once a status symbol, due to its high cost (Google books preview), and was included in tonics and sold in the 1897 Sears Roebuck & Co. Catalogue in a malt compound (Google books preview). Kalamazoo even boasted of being the Celery City in the late 1800s and for a few decades to follow. But the craze faded as celery cultivation became easier. One of the few remaining products from the celery craze is Dr. Brown's Cel-Ray soda, an acquired taste.
Graham Hastings, Alloysious Massaquoi and Kayus Bankole are a musical trio from Scotland. They first met at a local hip-hop night for under-16 youth in Edinburgh, where the music scene is more focused on indie rock than beats and rapping. They started collaborating a few years ago, and now go by the name Young Fathers. They mix rap, grime, modern R&B, afro-beat, noisy samples and more, though they write music from a pop-perspective, and consider themselves "pop boys." They have two short releases that are something between EPs and albums, plus a handful of singles. Their primary releases, Tape One and Tape Two, have been (re)released on the US label Anticon, and they have a handful of official videos: Deadline, Sister, Rumbling and Romance are the first four tracks from Tape One; I Heard is the first video from Tape Two; The Guide is separate single to stream and/or download, for free on Soundcloud.
In 1964, The Beatles put together a one-off variety show, with musical numbers specially pre-recorded for the show, presented in the style of theater-in-the-round. Around the Beatles was aired in the UK and later that same year in the US, but never commercially released. The show includes The Beatles performing a scene from A Midsummer's Night Dream, with Paul McCartney as Pyramus, John Lennon as his lover Thisbe, George Harrison as Moonshine, Starr as Lion, and Trevor Peacock (the only actual actor in the lot) in the role of Quince. A color clip of that was posted previously, but you can watch the entire (almost) hour-long show with The Beatles' segments accompanied by seven other musical acts, on Dailymotion or YouTube, though it's in black and white. [more inside]
They're best known for one song: I'm Gonna Be (500 Miles), as featured in Benny and Joon in 1993, and though the identical twin brothers faded from the public eye in the US, 500 Miles was lovingly parodied by Homer Simpson in 2001, and the brothers appeared on Family Guy in 2006. That song was featured in Comic Relief 2007, and that rendition was the number 1 song in the UK for three weeks. Given this focus on a single song that was first released in 1988, you might want mark The Proclaimers as a one-hit wonder and leave it at that. But David Pollock, writing for The Guardian, wants you to reconsider: The Proclaimers are a lot better than you probably remember. [more inside]
4 (to 6) easy steps to viral fame through pop music: 1) write and record a catchy pop song, 2) get radio play for your song, and 3) get Justin Bieber and Selena Gomez to hear your song, so 4) they tweet about enjoying your song. Bonus steps to further fame: 5) make a video that has a twist ending, which 6) people (including Bieber and Gomez) cover and remake and share online for further fame and fortune. Thanks to all this, Carly Rae Jepsen's pop dance song has moved beyond Canada, and is charting all over the world. If that's not enough, NPR's Ann Powers has further thoughts on the pop hit and its video. [more inside]
Before hip-hop beefs, there were response records, also known as answer songs, usually replies to well-known songs. There are a few key eras: blues and R&B recorded music in the 1930s through 1950s, including a number of responses to "Work With Me, Annie" (1954), recorded by Hank Ballard & the Midnighters, with answers including "Annie had a Baby," and "The Wallflower" by Etta James; and Big Mama Thornton's "Hound Dog" (1953), with a quick response by Louis Innis and Charlie Gore, made a mere week after the original was released, and Rufus Thomas' "Bear Cat" (1953), Sun Records' first hit. Country, rock & roll, doo-wop and pop music picked up where the blues left off, with most activity in the 1950s to 60s. Two examples from this era are "Are You Lonesome To-night" and "Who Put The Bomp," and responses to both. The most well known from the next decade was Lynyrd Skynyrd's "Sweet Home Alabama" (1974), a response to Neil Young's "Southern Man" (1970) and "Alabama" (1972). Until the 2000s, no answer songs had charted as high as the original hits. That changed with Frankee's "F.U.R.B. (Fuck You Right Back)" (2004), a response to Eamon's "Fuck It (I Don't Want You Back)" (2003), which was the first answer song to reach number 1 in the UK. Six years later and across the pond, Katy Perry's "California Gurls" was a response to "Empire State of Mind" by Jay-Z. It was the first answer song to reach No. 1 in the Billboard Hot 100. More Responses inside. [more inside]