The Atlantic explores whether Michael Jackson's contributions, like those of other black artists, are minimized because of his skin color.
Israeli New Wave? Yes! May I introduce The Clique. Here is their song Incubator. Here is another song called Don't Light A Candle For Me. Here are the lyrics to the second song in Hebrew and English. [more inside]
Problem: There haven't been enough electronica genres clumsily co-opted by pop! Also, we need more modern interpretations of awkward '80s fashions. Solution: Party Rock Anthem. [more inside]
Dengue Fever is an L.A. band that fuses Cambodian pop music with psychedelic rock. They have a youtube channel where you can find highlights such as a live acoustic version of their song Uku as well as a clip from the 2007 documentary Sleepwalking Through The Mekong. NPR has an interview with them in 2008 and a review of their second album Escape From Dragon House. Peter Gabriel is a fan.
...there’s some desperation to this junk version of “Dancing in the Street,” with both parties trying to affirm their A-1 celebrity status. One of the more pernicious effects of the whole Live Aid/Farm Aid/Band Aid spectacle was to cement the hierarchy of the “legend” rock acts and a smaller tier of anointed successors from the slightly-younger generation (Tom Petty, Sting, Dire Straits, U2). It was the height of the Boomer Counter-Reformation. The late Eighties would see the over-publicized returns of everyone from Steve Winwood to the Monkees to Crosby, Stills, Nash and Young, to a revamped George Harrison to a MOR version of Pink Floyd to Robbie Robertson pretending that he was Peter Gabriel (a version of Gabriel who couldn’t sing) to an all-star Yes and a Zeppelin-sampling Robert Plant, culminating in the return of the “revitalized” Stones in 1989, the touring company now reincorporated into a gleaming multinational. As Marcello Carlin said back when Popular covered this single: “Suddenly we were once again reminded who in pop and rock mattered and who didn’t…With their massacre of “Dancing In The Street,” Bowie and Jagger seemed to relish rubbing it in.“-The Annotated Jagger/Bowie "Dancing in the Street"
What is Pink Lady? In Japan they are remembered for a string of pop hits in the 70s, but Americans might remember them either from their disco single "Kiss In The Dark" or from an attempt to sell them to the US market in 1980 via a short-lived NBC variety show Pink Lady & Jeff (TVParty summary) with comedian Jeff Altman. (Opening). The show featured their Japanese hits, UFO, MONSTER (a bit more rock and roll), and SOS along with US hits like Boogie Wonderland, McArthur Park and the occasional guest star. (with encore) Also, Roy Orbison. Sadly, the show failed to break out and the two returned to Japan for a series of farewell concerts and retrospectives. Much, much more available at this charmingly retro, utterly exhaustive fan site devoted to them. Or just read the recaps. [more inside]
American Sabor: Latinos in US Popular Music is a currently traveling Smithsonian exhibition exploring the wide range of Latino artists and influences which have shaped American pop music genres since WWII, from Alice Bag to Flaco Jimenez to Herb Alpert and the Tijuana Brass to Joan Baez. The website is rich with maps, interviews, videos, and music samples.
The Hummingbirds were one of Sydney's greatest indie pop bands. They debuted with the single Alimony and in 1989 released LoveBuzz, featuring 14 tracks of sparkling jangle pop. It spawned the single Blush, which was a minor success, but the failed and the band broke up in 1993. They were vindicated by history when LoveBUZZ made #65 on the 100 Best Australian Albums Of All Time. This year the band reunited for a set at the iconic Big Day Out Festival and a show in Sydney. They were also immortalized in the Modern Giant song The Band's Broken Up (members of the Hummingbirds later joined members of Modern Giant to form The Aerial Maps). [more inside]
In their 25 year career San Fransisco-based Kronos Quartet might be most famous for creating the go-to dramatic movie trailer music but they've recently courted controversy with their latest album, 9/11, with Steve Reich (NPR First Listen). The album is another in a long line of collaborations with composers such as Phillip Glass, Terry Riley, and Pēteris Vasks. And like any good instrumental ensemble, they've covered Hendrix, Sigur Ros, and Tom Waits. Oh, and they've been on Sesame Street. [more inside]
Quincy Jones sat in the Tenafly, New Jersey den of 16-year-old vocal student Lesley Gore, playing demo after demo, looking for the right song to cut for her first record. Out of over 200 tapes, Jones and Gore had moved only one to the "maybe" pile, and so that song, It's My Party, was recorded on March 30, 1963 in a Manhattan studio. After the session Mercury president Irving Green warned Gore not to get her hopes up, but Gore gratefully told him that it had been a great experience anyway, and it was okay if he didn't want to release it. However, later that evening Jones learned that Phil Spector had just recorded "It's My Party" for The Crystals, so Jones rushed back to the studio to press 100 test copies of the single and immediately mailed them to key radio stations across the country. [more inside]
Singer, knob twiddler and bass player MNDR has had a great year, especially considering that she hasn’t even finished her first full-length solo recording yet. MNDR is best known in the pop world so far for her collaboration with Mark Ronson and Q-tip on Bang Bang Bang, a song that plays with the french children’s song alouette with a double entendre squeezed out of the consonants in “plucking feathers.” [more inside]
Jazz group The Bad Plus play an appropriately discordant Karma Police, a slow-burn We Are The Champions, an tearfulfeariffic Everybody Wants To Rule The World, and also sort of smell like teen spirit.
Is the epic saxophone solo returning to pop music? With recent good time summer radio hits by ubiquitous hit makers Katy Perry and Lady Gaga featuring an unexpected saxophone solo, is this a hint towards a return of the woodwind as a staple in rock/pop music or just ironic posturing from vapid "tastemakers"?
Pop-Cultured Currency - Technically, defacing US currency is a crime – but artist James Charles doesn’t seem to be in any legal trouble for his awesome series of Pop Culture Cash. His portraits, created on real money using ink, turn dead presidents into colorfully amusing pop culture icons. Alternate site with larger pics.
"The critically acclaimed, best-selling documentary series that lays the axe to the root of the idol of popular culture"
In 1989, Eric Holmberg and The Apologetics Group/Reel to Real Ministries released "Hell's Bells: The Dangers of Rock and Roll" [more inside]
Bill Drummond, best known as co-founder of the KLF, writes about his slow infatuation with damsons.
Die, Danger, Die, Die, Kill! is a blog dedicated to 'world pop cinema', and covers everything from Russian science fiction to Italian superhero films.
Ida Maria is a 26-year-old Norwegian pop-punk-rock musician whose music is both catchy as shit and surprisingly vulnerable. Her lyrics are simple but sometimes uncomfortably honest. Her first album had two big hits with excellent music videos: I Like You So Much Better When You're Naked and Oh My God. Other songs off the album that I'm fond of: Queen of the World (my personal favorite); Louie; Keep Me Warm. Her second album, Katla, has a more eclectic sound, ranging from the vintage pop-inspired Quite Nice People to the horn-driven I Eat Boys Like You For Breakfast to the dirty Bad Karma to the sillier Cherry Red.
Using album & digital song sales, Hot 100 rankings, radio airplay, YouTube views, social media, concert grosses, industry awards and critics' ratings, Rolling Stone compares sixteen female artists to name the Queen of Pop. [more inside]
"Blame it on the Rain" by Milli Vanilli. "Unbreak My Heart" by Toni Braxton. "Don't Wanna Miss a Thing" by Aerosmith. "How Do I Live" by LeAnn Rimes. "If I Could Turn Back Time" by Cher. "Because You Loved Me" by Celine Dion. "If You Asked Me To" by Patti LaBelle. What do all of these songs have in common? They were all written by Diane Warren, a member of the Songwriter's Hall of Fame whose songs have awards such as a a Grammy, a Golden Globe award, and several ASCAP awards for Songwriter of the Year.
Overlooked '90s Indie Pop: The Cat's Miaow, whose single sentence wiki describes them as... "an indie pop band formed in Melbourne, Australia, in 1992." And Madison Electric, a band from Ann Arbor that played one show in a church basement before going their separate ways.
Econblogger Tyler Cowen asked his readers What is the most neglected and underrated *accessible* pop music album? 154 and counting answers range from Animal Collective's Merriweather Post Pavilion to the 1960s band Honeybus and everything in between. One comment points to an interesting possible answer [Previously on mefi] to why a good album never catches on. "Short answer might be that we are social animals and don’t make these decisions independently and as a result, even tiny, random fluctuations can blow up, generating potentially enormous long-run differences among even indistinguishable competitors" [more inside]
The Monkees' Head: 'Our fans couldn't even see it' At the height of their fame, the Monkees teamed up with Jack Nicholson to film the psychedelic classic Head – and destroy their careers in the process. So how do they feel about it now? [more inside]
Inside Pop - The Rock Revolution is a CBS News special, broadcast in April 1967. The show was hosted by Leonard Bernstein and is probably one of the first examples of pop music being examined as a 'serious' art form. The film features many scenes shot in Los Angeles in late 1966, including interviews with Frank Zappa and Graham Nash, as well as the now legendary Brian Wilson solo performance of "Surf's Up." (MLYT) [more inside]
1980SLYT: Kim Mitchell* - "Go For a Soda" (1984). In whiche our protagonist experiences his favorite rock singer (1) step out of the television, (2) do a little dance on the table, and (3) join his band in the refrigerator. All while singing a Hard Rock Anthem about the joys of S-O-D-A. [ *wiki • via the voice of great antiquity's great blog post about being a contestant on Jeopardy. via jessamyn ]
This is an advice column by an L.A. party girl who likes to talk shit on the internet. E.g. She’ll take your questions about the point of Serious Relationships. And give you advice about your sexual identity. Or tell you about a little something called Prince Charming Disease. There’s some advice about managing your existential crisis too. Even replies to fifteen year old girls on tumblr about their teenage flirting. There is also tons of fun sized advice. In her own summary: “What I [write] may be unfiltered, but it’s still cooked up from the same basic ingredients as the rest of pop culture.” It’s “Shady advice from a raging bitch who has no business answering any of these questions.” It’s Dear Coke Talk. [more inside]
"Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar."
Between Page And Screen is an augmented-reality book of poems (written by Amaranth Borsuk) developed by Brad Bouse. Like a digital pop-up book, you hold the words in your hands. Print a marker and try it. Requires Webcam. [more inside]
In the two decades starting in the 1980s, Laurent Boutonnat produced a series of atmospheric pop videos for Mylène Farmer, the chart-topping "French Madonna" who is little known outside the Europop circuit. [more inside]
At long last, Wikileaks gets a catchy theme song: "Who the f**k is Wikileaks" by "Chicken Soup (Boney M Goes Club)", a new project from veteran producer Frank Farian, the man behind Boney M and Milli Vanilli. Warning: the song contains repeated use of the "F"-word, and the video contains images of the "anonymous" mask. [more inside]
Irish pop singer Brian McFadden released a single called 'Just The Way You Are (Drunk at the Bar)' on February 25th. Clem Bastow, in her 'Singled Out' review column for Australian street press music weekly Inpress, writes about it in the context of the centenary of International Women's Day (March 8th). [more inside]
Elis Regina was perhaps the biggest Brazilian popstar of her time. The clip in the first link is a single song from a TV special she did in 1973, at the height of her powers, and which has been put online in its entirety. The song, Águas de Março, was a Tom Jobim composition, which they sang together on the album Elis & Tom, which also featured such gems as Corcovado, Inútil paisagem and Triste. Over her career Elis Regina worked with a who's who of Brazilian popular music, and there's quite a lot of material out there. The best places I've found are YouTube channels elisetom1974, Eurachel and, though the Elis Regina material is mixed in with other stuff, jordaoqualquer is a treasure trove. Elis Regina died from an alcohol and cocaine overdose in 1982, 36 years of age. Last year NPR had a short appreciation of her as part of its 50 Great Voices series.
Single Link Saturday Night Dance Party: The neon-dripped hallucinatory candy-pop world ofBrite Futures' - Sideways Pony Tail [more inside]
The Silver People [nsfw] is a site created by 60's photographer, Jon Stevens, whose shtick is to paint people silver and photograph them. More interesting are his pics of Miles Davis | The Cockettes Erotic [nsfw] | Salvador Dali [nsfw] | his being photographed as the first male mod model [modest, not]. [more inside]
Don't Stop the Pop: the mashup of the year's top 25 songs, from DJ Earworm! (Previously on Mefi: 2007, 2008, 2009. ) [more inside]
It’s maybe a little early yet for year’s end retrospectives, but who cares: we’ve got 157 songs, 10.5 hours, 1.12 GB of “some of the best and most notable music from 2010... covering indie, pop, rock, punk, folk, rap, R&B, soul, dance, country, modern classical, ambient and electronic music, and in many cases, hard-to-classify genre hybrids.” —Curated by FluxBlog’s own Matthew Perpetua.
Renaissance Man (SLYT) Being One in a Series of Musical Videos wherein Man's History is Elucidated.
YouTube user Pallomember loves scary European death metal. But sometimes he wonders, wouldn't scary European death metal be improved with a dash of Lady Gaga?
Yes. Yes it would.
vs Meshuggah: Bleed-A-Razzi | vs Behemoth: Ov Fire and Bad Romance | vs Soilwork: Bricklover [more inside]
Yes. Yes it would.
vs Meshuggah: Bleed-A-Razzi | vs Behemoth: Ov Fire and Bad Romance | vs Soilwork: Bricklover [more inside]
What is working for the music industry and why the top buyers of pop music albums are now those over 60.
When pop goes bad: novelty records The excruciatingly catchy novelty song was a hallmark of the 1980s. Is it back? And how do you write one? Dave Simpson talks to the experts [more inside]
When Gillian Hills was discovered in 1958 by Roger Vadim, she was touted as being the next Bridgett Bardot. She went on to star in such films as Antonioni's Blow Up and the British rock and roll film Beat Girl, and even had a small part as Sonietta, the girl with the lollypop in A Clockwork Orange. But it is her early '60s French pop records which fascinate me. Here with Qui a su, Rien n'est changé, Rentre Sans Moi, Look at Them and Tomorrow Is Another Day .