A Transparent Attempt to Explain the Economics Behind Running a Pop-Culture Website and the Need to Run Intrusive Advertising The thing about display ads is that you are paid for about what they are worth, which is to say: $.30 per 1,000 impressions. Most people barely even notice them, so advertisers are not willing to pay you very much to run them...Instead, we have to use intrusive ads which are paid on a much larger scale, approximately $7.00 per 1,000 impressions. So, if a site like ours generates 100,000 impressions, that should be $700 a day. Awesome. We should be rich, right? Not so much. Pajiba previously. [via Slashfilm]
The Footnotes of Mad Men explores and discusses the historic events, themes, and cultural mores of the show.
From about 1875 to the 1940s, cigarette cards spurred tobacco sales. Sets offer a glimpse into the popculture of the times, spanning newsmakers, cinema celebrities, and sports stars; cute illustrated subjects, like "frisky" and children with rosy cheeks; handy info like air raid precautions, first aid, and amusing tricks; and neat stuff like famous escapes, exotic races, and figures of speech. Browse more fun sets of vintage images.
Lobby Card Invasion. A searchable collection of a wide variety of lobby cards for all kinds of interesting films. [via PCL LinkDump]
12 months of George Petty pinups. And 16 more. Hell, have 5 pages worth. More about the Petty Girl, an advertising and pop culture icon with an often unfinished look who made her first appearance in Esquire in 1933 and whose elegant line quickly became famous. [via Bibi's Box, which has lots more Petty and pinup links] [warning: busty pinup girls]
Dan Goodsell (of the unbelieveably great - and previously linked - Tick Tock Toys) has been keeping a blog for the last six months or so covering a variety of subjects (including his webcartoon, Mr Toast), but largely focused on U.S. pop culture ephemera of the 50's though the 70's, with a ton of great stuff.
Ben Frost is a painter, performance artist and illustrator who currently lives in Australia. His work explores themes of alienation, dispossession, and perversity that exists behind the facade of contemporary western society. By subverting mainstream iconography from the advertising, entertainment and political spectrum he creates a visual and conceptual framework that is bold, confronting and often contraversial.