Childhood - a hand-bound book of Japanese styled illustrations paying homage to nostalgic activities and toys. From artist Chet Phillips.
"Barely a week goes by without some old white man castigating the yoof of today on the shallowness/stupidity/etc. of their taste in music, art and culture in general. It’s a narrative as old as culture itself — adults throwing up their hands in despair because Kids These Days just don’t get it." But, contrarily, "there’s a subset of music criticism these days that seems to view the taste and aesthetic of teens (and teenage girls, in particular) as weirdly sacred. It’s a sort of creepy offshoot of poptimism, one that starts from an unrealistically monolithic view of teen culture — not all teens like Taylor Swift and Miley Cyrus, after all — and is, in its own way, as deeply patronizing as claiming from on high that teens have no taste." -- Flavorwire's Tom Hawking on Critical Assumptions about Teen Culture.
If you think monkeys are fascinating and you want to understand and be of value to them, it's not enough to be an expert on what monkeys should ideally eat. You have to understand what monkeys actually eat.
There is a fundamental disconnect between large-scale, for-profit media and the crushing power of enthusiasm, which is that when they try to control it, it instantly isn't real. It's patently unreal. It's excitement given life by force, Pet Sematary-style. But when they don't control it, it isn't profitable. And that means that when they run into people excited about their stuff, they vacillate between an Ebenezerian lack of generosity and a Professor-Harold-Hillian smarm. To own enthusiasm and to exploit it are competing instincts, much as they often seem to be twins. You can, in fact, sometimes best exploit it — or only exploit it — by leaving it alone. -- In what could be considered a Metafilter Manifesto, Mefi's own Linda Holmes takes on the multivariate economics of fandom and the internet.
"Poetic excess takes the devil’s side, in the Anglo-American mind, of the Artificiality/Authenticity binary, and thus is highly suspect."
Cultural critic Mark Dery discusses his new essay collection. Interview by R. U. Sirius. Dery has previously written on the cultural influence of Edward Gorey, the effects of social networking, the popularity of cephalopods, dead malls, and Surrealism and the Visual Unconscious.
The Atlantic explores whether Michael Jackson's contributions, like those of other black artists, are minimized because of his skin color.
Drew McWeeny muses at length on Muppets, Avengers, and Life In The Age Of Fanfiction.
An exhaustive guide to the sneakers worn by Jerry Seinfeld over the course of Seinfeld's 9-year run. [more inside]
The AV Club feature Gateways to Geekery is all about the best places to start on some of pop culture's most complex and nuanced artists and genres, including Randy Newman, The Who, Monty Python, steampunk, Sherlock Holmes and 90 others. [more inside]
This is CTRL+W33D it is a gay weirdness tumblr blog. It is NSFW.
Ben Frost is a painter, performance artist and illustrator who currently lives in Australia. His work explores themes of alienation, dispossession, and perversity that exists behind the facade of contemporary western society. By subverting mainstream iconography from the advertising, entertainment and political spectrum he creates a visual and conceptual framework that is bold, confronting and often contraversial.
More 60's Euro Pop
I am 8 bit is a celebration of the pixelated graphics of 80s videogames, at LA's Gallery Nineteen Eighty Eight. A hundred artists have produced paintings, sculptures and designs inspired by the two-dimensional imagery of the pre-PlayStation era. The exhibition runs from April 19 until May 20. More information, including highlights from the gallery, appear at Game Informer. It remains to be seen if the other ninety-nine artists can match the quality of Sean Clarity's exceptional reworking of the cover to NES classic Excitebike.