There is a fundamental disconnect between large-scale, for-profit media and the crushing power of enthusiasm, which is that when they try to control it, it instantly isn't real. It's patently unreal. It's excitement given life by force, Pet Sematary-style.
But when they don't control it, it isn't profitable. And that means that when they run into people excited about their stuff, they vacillate between an Ebenezerian lack of generosity and a Professor-Harold-Hillian smarm. To own enthusiasm and to exploit it are competing instincts, much as they often seem to be twins. You can, in fact, sometimes best exploit it — or only exploit it — by leaving it alone.
-- In what could be considered a Metafilter Manifesto, Mefi's own Linda Holmes
takes on the multivariate economics of fandom and the internet.
posted by Potomac Avenue
on Dec 20, 2013 -
has pics of things that people aged 30-40 will remember from their childhood and adolescence. Who could forget Tiger Handheld games
, Hypercolor shirts
, Paint With Water books
, Surge soda
, Scholastic Book Club
, Slice cola
, Ring Pops
, and, last but not least, Zack Morris's cellphone
posted by reenum
on Oct 3, 2010 -
There was a typewriter repairman in North Hollywood, California. He couldn’t believe it when all of a sudden someone deposited 24 vintage typewriters on his doorstep and said, “Make them look new.” He probably hadn’t had that much work in the last 25 years. He was probably just about ready to hang up the “Going out of business” sign and cursing the arrival of the laptop computer when all of a sudden here I come with 24 typewriters. The Collectors Weekly interviews Scott Buckwald, propmaster for Mad Men.
posted by dersins
on Oct 18, 2009 -