MetaFilter posts tagged with popmusic and pop

Right Here, Right Now, etc etc

sleevener — Thu, 30 Jul 2009 14:55:16 -0800

Poet and poetry/film/music/culture critic Joshua Clover has been posting excerpts from his upcoming book 1989: Bob Dylan Didn't Have This to Sing About over at his blog. These are short, articulate lyric essays on the entwined fates of the pop music and history of (and around) the year 1989. To find the excerpts on the blog, look for the book's black, white, and yellow cover image as you scroll down (although all of his posts are worth a read). Here are a few of my favorites, if you're looking for a place to start: Jesus Jones, from the book's intro, which poses this question: "Having turned its 200-second attentions on a fairly regular basis to politics, to social change, to revolution, what does pop music do when confronted with an overwhelming surfeit of same?" Sinead O'Connor and "Nothing Compares 2 U" Public Enemy's multi-faceted approach Grunge, shame, and the word "creep"

Ziggy really sang, screwed up eyes and screwed down hairdo

fire&wings — Sun, 03 May 2009 12:53:06 -0800

Of all the pretenders to the throne of "British Elvis" in the pre-Beatles UK music scene, none had the swagger or moves quite like Vince Taylor. His stylings, pitched halfway between Gene Vincent and Pressley, found success in the early 60's, especially in France. The man who Joe Strummer described as "the beginning of British rock'n'roll," was on the verge of stardom in 1963, but already hooked on a cocktail of Preludin, speed, LSD and alcohol, he instead fell apart. Believing himself to be the apostle Matthew or the son of God, he gave sermons on stage while wrapped in a white sheet, ate only eggs, and carried around a map of Europe, trying to point out to people where the UFO's would land. David Bowie, living in London in 1966, met and was transfixed by this already burnt out, drug addled heartthrob who had "fallen into a chasm too deep to ever climb out of." Inspired by the rock star who "thought he was some composite between the Son of God and an alien," he put pen to paper. The song? Ziggy Stardust. From the late 1960's it was all downhill, and although Taylor emerged sporadically for various comebacks, a few albums (including 1972's "Vince is alive, well and rocking in Paris") his later years were for the most part a blur of incoherent performances on small scale tours and periods spent in religious communes and psychiatric wards. He died in 1991 after a short period working as an aircraft mechanic in Switzerland. --- Vince Taylor: * There's a Whole Lotta Twistin' goin' on * Shakin' All Over * Peppermint Twist * Too Much * 20 Flight Rock * What I'd Say * Brand New Cadillac (audio only)

The "Near Future Technopop Unit"

Unicorn on the cob — Fri, 07 Nov 2008 21:03:25 -0800

Perfume, a three-girl Japanese technopop sensation formed in 2001 now consisting of Nocchi, Kashikuya and A~chan, is about to release their ninth single, "Dream Fighter". Perfume's July 2008 single "Love the World" was the first technopop song ever to debut at #1 on the Oricon sales chart. The previous highest debut for techno was Yellow Magic Orchestra's "Kimi ni, Munekyun" 25 years ago in 1983. (original article citing #1 record translated via Google translator) You may know them for their Japanese recycling campaign ads or annoyingly catchy single version of the song (complete with dance routine), "Polyrhythm".

I just want your extra time, and your... Mix.

Eideteker — Fri, 29 Aug 2008 06:21:11 -0800

Classic tracks: Can't seem to face up to the facts? Searching for the heart of Heart of Gold? Mix Online delves deep into your favorite jams, to find out what was in the air when they were conceived. Know what I mean? via

Radiodiffusion Internasionaal -- popular world music of the 60's and 70's

cog_nate — Wed, 13 Aug 2008 10:51:05 -0800

"Radiodiffusion Internasionaal is devoted to the evolution of popular music from Africa, the Middle East, India and Asia and the proliferation of Western influences on these non-Western cultures. The focus is primarily the music from the mid 60's to the mid 70's." (Description from the front page of the site.) Slightly differently formatted version of the website here. Nice set of links, too (scroll down to the Words and Pictures section).

"Of course, neither Simon nor Garfunkle has been identified as a Nautical Expert"

Navelgazer — Mon, 30 Jun 2008 18:57:15 -0800

Chief Justice Roberts (mis)quotes Bob Dylan* in his dissent on Sprint Communications Co. v. APCC Services, Inc., making this the first known time that a Supreme Court Opinion has used a "rock song to buttress legal opinion," according to Alex B. Long of the University of Tennessee. Mr. Long knows a thing or two about this**, having authored [Insert Song Lyrics Here]***, a Washington & Lee Law review Article on the subject of Pop Music in legal writing. The article is funny†, insightful, comprehensive in its musical background††, and surprisingly knowledgeable about good taste in writing.††† *To be fair, Alex Long misquotes the line as well. For a full performance, see here. ** The Top Ten Most Cited Musicians (according to Long's admittedly flawed study) are: 1. Bob Dylan 2. The Beatles 3. Bruce Springsteen 4. Paul Simon 5. Woody Guthrie 6. The Rolling Stones 7. The Grateful Dead 8. Simon & Garfunkle 9. Joni Mitchell 10. R.E.M. *** This is a link to a site where you may download the pdf. Also, I should mention that this is the priority link, See † Pro Tip: In legal writing, the footnotes are used not only to exhaustively cite one's sources, but also to provide humor, irreverence, and "off-the-record" personal opinions where they would otherwise not be appropriate. This article is full of both. †† A fun "mix tape" of a small few of the cited songs: Cracker, Teen Angst The New Pornographers, The Laws Have Changed Ludacris, You's a Ho Violent Femmes, Add It Up Elvis Costello, Less Than Zero Tupac Shakur, Holla if You Hear Me Elvis Presley, Mystery Train Chuck Berry, Nadine The Beatles, Everybody's Got Something to Hide Except for Me and my Monkey The Kinks, Lola The Undertones, Teenage Kicks R.E.M., It's the End of the World as We Know It (and I Feel Fine) ††† If anyone knows how to do proper footnotes on MeFi, please let me know. Bonus: The "Hum a Few Bar Exam," from Prof. Eugene Volokh of Volokh Conspiracy

1) Buy webcam. 2) Put something you found around the house in your hair. 3) ????????? 4) Profit!

goodnewsfortheinsane — Tue, 28 Feb 2006 17:09:40 -0800

One of the great virtues of the internet is the manifold ways in which it has revolutionised the arts. The postmodern works of contemporary artists Pomme & Kelly (Google Video), when viewed together in context, form a striking example of a well-placed critique of popular culture, and modern living at large. The zeitgeisty meta-irony of their seemingly content-free interpretations of popular songs are only enhanced by the fact that, in a clever keeping with style, they blog about it as well.

Pop Vultures, R.I.P.

donovan — Thu, 16 Dec 2004 20:13:40 -0800

Pop Vultures, perhaps the freshest show to grace our radio airwaves in recent years has been cancelled. Host Kate Sullivan and a collection of friends mused on pop music and associated pop culture with passion, a strong does of "um" and "uh, like" and an always great soundtrack. You can listen (for the moment anyway) to the archives . R.I.P.

witchstone — Fri, 02 Aug 2002 08:25:36 -0800

break/doWn: translating the hits for the masses. Spent any sleepless nights wondering what those pop songs stuck in your head are really all about? Well, music-critic.com has done the work for you. For instance, did you know that when Britney sings "I know I may come off quiet, I may come off shy/But I feel like talking, feel like dancing when I see this guy" she's saying "I've spent the last three years carefully crafting a "good girl" image of myself for the public/But I'm ready to throw it all away for a one night stand with that guy over there." break/doWn has 13 "hits" translated just for you! (scroll down the the bottom of the page for other songs)