Dying Speeches & Bloody Murders digitizes over five hundred broadsides owned by the Harvard Law Library, all of them devoted to "last dying speeches"--that is, sensational accounts of crime, punishment, and (fictional) confession, intended to be sold at public executions. The New York State Historical Association has an online exhibition devoted to nineteenth-century American murder pamphlets. You can find a couple of seventeenth-century examples at the Early Modern Web and the Folger Library. Old Bailey Online briefly puts this literature into context. (Main link via C18-L.)
posted by thomas j wise on Jan 4, 2008 - 11 comments

Jump Jim Crow, through the hoops of one Robert Christgau's erudition as he surveys the literature extant in In Search of Jim Crow: Why Postmodern Minstrelsy Studies Matter, through multiple readings of Raising Cain: Blackface Performance from Jim Crow to Hip Hop, Demons of Disorder: Early Blackface Minstrels and Their World and and Love and Theft: Blackface Minstrelsy and the American Working Class. Consider, too, The Minstrel Cycle from Reading The Commitments and other various and sundry attempts to peek inside the minstrel mask—all multiple readings reading blackface minstrels from the pejorative to the explorative, subversive to oppressive, past to future, unfolding tesseractly, if not exactly, with singing, dancing and extraordinary elocutions. Buy your tickets and step within for The Meller Drammer of Minstrelsy in The Minstrel Show 2.0…
posted by y2karl on Mar 31, 2005 - 17 comments

If you're in New York City or LA between now and June 27th, the Museum of Television and Radio is presenting "Not That There's Anything Wrong With That --The History of Gay and Lesbian Images on Television" (via the Queer as Folk section of Showtime's site) (Anyone else remember Robert Reed playing a transsexual on Medical Center?)
posted by WolfDaddy on May 11, 2004 - 14 comments

The Minstrel Show The Minstrel Show presents us with a strange, fascinating and awful phenomenon. Minstrel shows emerged from preindustrial European traditions of masking and carnival. But in the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the "old time nigger show" with its colorful comic darkies and its rousing songs and dances. By the 1840s, the minstrel show had become one of the central events in the culture of the Democratic party.. The image of white men in blackface, miming black song, dance and speech is considered the last word in racist bigotry for some. And yet, standing at the crossroads of race, class and high and low culture, blackface minstrelsy is one fascinating topic in academic circles. It’s history is intertwined with the rise of abolitionism, the works of Mark Twain and the histories of vaudeville, American vernacular music, radio, television, movies, in fact all of what is called popular culture. Details within.
posted by y2karl on Mar 13, 2002 - 26 comments