In seven minutes, you can see the evolution of London, as seen in its road network
, from the Roman port city of Londonium
through the Anglo-Saxon
, Early Georgian
and Late Georgian
, Early Victorian
and Late Victorian
, Early 20th Century
and Postwar London
, set to the scale of the 600 square miles of modern London, though the original city core is a very dense square mile. [more inside]
posted by filthy light thief
on May 10, 2014 -
Maynard L. Parker
was an architectural photographer whose work appeared for much of the 20th century in House Beautiful, Architectural Digest, Sunset Magazine and many covers for the Los Angeles Times Sunday magazine, which was then called Home. He photographed many well-known architectural homes, including the work of Richard Neutra and Frank Lloyd Wright. Over 58,000
of those photographs are now available through the Huntington Library. Here
posted by vronsky
on Sep 13, 2009 -
What's the relationship between the rise of film noir
and the national mood of post-war (WWII, that is)
America? "Was noir simply a way of reanimating the tired conventions of the pre-war crime film? Or did we need melodramatic illusions potent enough to overcome whatever disillusions strayed briefly into our minds as we surrendered to the mighty engines of prosperity? Or was it one of those cycles - like biopics, westerns, sci-fi, etc. - that Hollywood mysteriously embraces and then just as mysteriously abandons?" Via.
posted by amyms
on Aug 15, 2007 -
In case the Downing Street Papers weren't enough:
US State Dept. documents from the National Security Archive, obtained thru a Freedom of Information Act: State Department experts warned CENTCOM before Iraq war about lack of plans for
post-war Iraq security
, Planning for post-Saddam regime change began as early as October 2001
, and ...They provide detail on each of the working groups and give the starting date for planning as October 2001.
Entire sections of a Powerpoint presentation the State Department prepared on November 1, 2002 -- including those covering "What We Have Learned So Far" and "Implications for the Real Future of Iraq" -- have been censored as still-classified information. ...
posted by amberglow
on Aug 17, 2005 -
How to Get Out of Iraq
by Peter GalbraithMuch of what went wrong was avoidable. Focused on winning the political battle to start a war, the Bush administration failed to anticipate the postwar chaos in Iraq. Administration strategy seems to have been based on a hope that Iraq's bureaucrats and police would simply transfer their loyalty to the new authorities, and the country's administration would continue to function. All experience in Iraq suggested that the collapse of civil authority was the most likely outcome, but there was no credible planning for this contingency. In fact, the US effort to remake Iraq never recovered from its confused start when it failed to prevent the looting of Baghdad in the early days of the occupation.
posted by y2karl
on Apr 26, 2004 -
'No real planning for postwar Iraq'
"The officials didn't develop any real postwar plans because they believed that Iraqis would welcome U.S. troops with open arms and Washington could install a favored Iraqi exile leader as the country's leader. The Pentagon civilians ignored CIA and State Department experts who disputed them, resisted White House pressure to back off from their favored exile leader and when their scenario collapsed amid increasing violence and disorder, they had no backup plan.
Today, American forces face instability in Iraq, where they are losing soldiers almost daily to escalating guerrilla attacks, the cost of occupation is exploding to almost $4 billion a month and withdrawal appears untold years away."
Bring 'Em On!
posted by owillis
on Jul 12, 2003 -
Post-War Jazz: An Arbitrary Road Map
In this two-part Village Voice piece, Gary Giddins presents a personal road map to post-war jazz, introducing 57 of his most cherished tracks from 1945 to 2001.
Any glaring ommissions? I'd add Witchitai-To
by Jim Pepper
. In addition to being one of the first jazz-rock fusion proponents, Pepper, a Native American, also blended the music of his people into his compositions.
posted by martk
on Jun 11, 2002 -