How do you quantify the effects of things that don't happen to you? "The whole point of living in a culture is that much of the labor of perception and judgment is done for you, spread through media, and absorbed through an imperceptible process that has no single author." (previously; via)
The two-day Interactive Telecommunications Program (ITP) graduate showcase at NYU was a madhouse, with some 100 projects on view, ranging from groundbreaking innovations to timely trinkets. But the most talked about project by far was Peiqi Su's "Penis Wall" - an array of 81 robotic phalli that rise and fall in response to the stock market. Official Vimeo account for the project - Thesis presentation - in depth How-it-was-made production blog. (Slightly NSFW if your work doesn't like white, plastic, abstract dicks.)
Artist Zak Smith addresses the problem of Big Art made by assistants for artists who don't claim to use assistants. good bit starts at 3:40
During the Golden Age of Hollywood and until 1967, mainstream movie studios were banned by the Production Code from depicting taboo topics like drug addiction, explicit murder and venereal disease, or even showing explicit nudity. But in the 1930's and 1940's, films marketed as "educational" could and did fly under the radar, and three of the best known 'educational' propaganda exploitation films are: Sex Madness (1935), Reefer Madness (1936) and The Cocaine Fiends (1938). [more inside]
Sound on Sound magazine's "Classic Tracks" series provides technical and personal details behind the recording of, uh, classic tracks. [Not to be confused with Mix magazine's own "Classic Tracks" series, which was featured previously.] [more inside]
Louis C.K. on eating pressure and providing an alternative to The Man - "I ask him to think about what he really needs; when he tells me, I give him a little more. It buys me goodwill with this person; I feel good about what I'm paying them. I like to give people a little more than they want, and I like to ask people for a little less than they're willing to give." [more inside]
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again The Lion King is at the top of the box office. It's a good chance to revisit what made the original the capstone of the Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of an unofficial bootleg. Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's haunting, pulse-pounding, joyful tracks alongside the original video (part 2, 3, 4), revealing the subtle leitmotifs and careful matching of music and action. In addition, South African collaborator Lebo M wove traditional Zulu chorals into the score, providing veiled commentary on scenes like this; his work was later expanded into a full album, the Broadway stage show, and projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with The Lion King: Full Circle (download guide), a fan-made, three-hour supercut of the original film and its two follow-ups. Want more? Look... harder... [more inside]
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
Earlier this year, the BBC's Arena produced and aired an excellent documentary on Brian Eno entitled "Another Green World" containing "a series of conversations on science, art, systems analysis, producing and cybernetics". [more inside]
King Kong's Post Production Diary - videos of weekly progress, on all aspects of filmmaking, starting from the first day of post-production, upto the premiere.