During the Golden Age of Hollywood and until 1967, mainstream movie studios were banned by the Production Code from depicting taboo topics like drug addiction, explicit murder and venereal disease, or even showing explicit nudity. But in the 1930's and 1940's, films marketed as "educational" could and did fly under the radar, and three of the best known 'educational' propaganda exploitation films are: Sex Madness (1935), Reefer Madness (1936) and The Cocaine Fiends (1938). [more inside]
Sound on Sound magazine's "Classic Tracks" series provides technical and personal details behind the recording of, uh, classic tracks. [Not to be confused with Mix magazine's own "Classic Tracks" series, which was featured previously.] [more inside]
Bands often don't seem to be able to play on stage the way they did on their album; and we accept that for a lot of reasons having to do with the conditions, the production facilities and the sheer number of takes that were probably involved. But for a whole generation of hit music, there was often a more basic reason: it wasn't them playing on the album in the first place.
For nearly a decade, if you were an L.A. producer and you wanted to record a hit single, you'd call in The Wrecking Crew. Members of The Byrds, The Beach Boys, and The Mamas and the Papas would step aside as The Wrecking Crew laid down the instrumental tracks. Then, the members of the main band would come back to add the vocals on top.The above link goes to the OPB radio story I listened to this morning, with an embedded player. Official site for the book.
Tweak's Guide to Home Recording. A comprehensive home recording guide that will take you all the way from buying an audio interface to choosing a mic preamp to learning the subtle arts of compression and EQing. A good refresher course even for those with recording experience. And for those more interested in composition than recording, Tweak's piece on Inspiration is insightful as well.