The CIA spent 20 years promoting modern art as a propaganda tool: "We wanted to unite all the people who were writers, who were musicians, who were artists, to demonstrate that the West and the United States was devoted to freedom of expression and to intellectual achievement, without any rigid barriers as to what you must write, and what you must say, and what you must do, and what you must paint, which was what was going on in the Soviet Union. I think it was the most important division that the agency had, and I think that it played an enormous role in the Cold War."
posted by BZArcher
on Nov 1, 2010 -
50 comments
Don't Make Excuses - Make Good! Between World Wars I and II, the U.S. economy was booming - workers had choices and employers competed for their time. How to motivate and gain loyalty from a labor force that knew it could walk out the door and find more work soon?
Charles Mather, head of a family printing business in Chicago, offered employers a solution: the
first motivational posters for the private workplace market. Printed between 1923 and 1929, Mather's "
Work Incentive Posters" used strong imagery and short, clear messaging to encourage workplace values like
teamwork, punctuality, safety, and loyalty. Today, some of his 350 designs can be seen in
traveling exhibitions and
poster galleries, and
Antiques Road Show - or you can soak up some motivation from his modern-day successors at
Successories - or
generate your own.
[more inside]
posted by Miko
on Oct 12, 2010 -
25 comments
Peace and War in the 20th Century is an ambitious, in progress, massive assemblage of posters, photographs, propaganda, ephemera, letters, diaries, paintings, sketches, stories, letters, music and related items, from McMaster University in Hamilton, Ontario. The collection is international in scope. Some of the nodes lack content, and the navigation is a little confusing, so the jump I list some of my favourite case studies from their site.
[more inside]
posted by Rumple
on Jan 2, 2009 -
4 comments
Mo' MAO. "If you stare at a red shape for a long time, when you turn away, your retina will hold the image but you will see a green version of the same shape. In the same way, when I lived in China, I saw the positive image of Mao so many times that my mind now holds a negative image of Mao. In my art I am transferring this psychological feeling to a physical object." --
Zhang Hongtu
posted by gimonca
on Mar 23, 2005 -
15 comments
Freedom on the Fence: The Polish Poster. While we're at it:
The history and culture of the Polish poster and an analysis of
American Films in Polish Posters. Or, if you'd prefer,
The Classic Polish Film Poster database (where the
Disney/Children's film posters are quite lovely). Also,
The Wallace Library at the Rochester Institute of Technology has a fantastic searchable and browse-able database, with many hi-res images. Finally, some other
Polish Poster Galleries. (What's that? You want more? You want artist-specific galleries? Okay. Here's work by Mieczyslaw Gorowski, Piotr Kunce, Wieslaw Walkuski, and Jan Sawka. Oh, you wanted Communist-era Polish propaganda posters? Fine. Here ya go.) [previous MeFi discussion on Polish film posters; also, some of the images from these links may be NSFW, depending on how S your W environment is.]
posted by .kobayashi.
on Mar 13, 2005 -
10 comments
The Russian Avant-Garde Book is an online version of the MoMA exhibit, featuring 112 books originally published in Russia during the intensely creative period between 1910 and 1934, before Stalin outlawed any style but social realism. The site is separated into three chronological themes and includes examples of futurist works, constructivist graphic design, children's books, propaganda, photography and photomontage, revolutionary imagery, architecture and industry, war themes, folk art and judaica...
posted by taz
on Oct 8, 2002 -
16 comments
Art Fights Back — an exhibit of poster art at Veterans Memorial Auditorium in Des Moines, Iowa — displays images dedicated to the memory of September 11 and support of the Unites States and its troops. Seems like a typical thing to do around war time, right?
Take a close look at the
actual poster design. Don't they seem rather
non-American in their artistic style? In fact, they recall an era of poster design for a
dramatically different context than what was typically thought of as U.S. patriotism.
posted by Down10
on Mar 11, 2002 -
39 comments
