This iconic photo of the first Aboriginal woman to enlist in the Canadian Women’s Army Corps was used as a recruitment tool, and "appeared all over the British Empire [in 1942] to show the power of the colonies fighting for King and country." Its original caption in the Canadian War Museum read,
"Unidentified Indian princess getting blessing from her chief and father to go fight in the war." Its current caption in The Library and Archives of Canada reads:
"Mary Greyeyes being blessed by her native Chief prior to leaving for service in the CWAC, 1942." But as it turns out, the two people in the photo had never met before that day. They weren't from the same tribe or even related and Private Mary Greyeyes was not an "Indian Princess."
70 years after the photo was taken, her daughter-in-law Melanie made sure the official record was corrected. Via [more inside]
posted by zarq
on Jan 22, 2013 -
13 comments
Via
io9: "The first nine Superman cartoons produced by Fleischer Studios from 1941 to 1942 are a wonder of animated retrofuturism, giving us a peek into a world that not only had a flying superstrong protector, but also filled viewers' heads with dreams of autonomous robots, comet-controlling telescopes, and machines that could shake the Earth. These films are in the public domain and have been available on the Internet Archive," but now Warner Bros. is releasing them (remastered) on YouTube. The first short,
"Superman" (also known as "The Mad Scientist,") was nominated for an Academy Award. Also see:
The Super Guide to the Fleischer Superman Cartoons. Find links to all nine episodes and more inside.
[more inside]
posted by zarq
on Nov 25, 2012 -
28 comments
Человек с киноаппаратом ("Man with a Movie Camera") is a classic experimental documentary film that was released in 1929. Directed by pioneer Soviet filmmaker
Dziga Vertov, this classic, silent documentary film has no story and no actors, and is actually three documentaries in one. Ostensibly it documents 24 hours of life in a single city in the Soviet Union. But it is also a documentary of the filming of that documentary and a depiction of an audience watching that documentary and their responses. "We see the cameraman and the editing of the film, but what we don't see is any of the film itself."
[more inside]
posted by zarq
on Feb 13, 2012 -
26 comments
During a recent visit to the United States Holocaust Memorial Museum in Washington, D.C., I was reeducated in the power of branding — especially as applied to poster design — at the special exhibition, State of Deception: The Power of Nazi Propaganda, which demonstrates how the Nazi party used carefully crafted messages, advertising and design techniques, and then-new technologies (radio, television, film) to sway millions with its vision for a new Germany. (related)
posted by Trurl
on Feb 2, 2012 -
28 comments
Don't Make Excuses - Make Good! Between World Wars I and II, the U.S. economy was booming - workers had choices and employers competed for their time. How to motivate and gain loyalty from a labor force that knew it could walk out the door and find more work soon?
Charles Mather, head of a family printing business in Chicago, offered employers a solution: the
first motivational posters for the private workplace market. Printed between 1923 and 1929, Mather's "
Work Incentive Posters" used strong imagery and short, clear messaging to encourage workplace values like
teamwork, punctuality, safety, and loyalty. Today, some of his 350 designs can be seen in
traveling exhibitions and
poster galleries, and
Antiques Road Show - or you can soak up some motivation from his modern-day successors at
Successories - or
generate your own.
[more inside]
posted by Miko
on Oct 12, 2010 -
25 comments
"What if America wasn't America?" That was the question posed by a series of ads broadcast in the wake of the September 11th attacks, ads which depicted a dystopian America bereft of liberty:
Library -
Diner -
Church. Together with more positive ads like
Remember Freedom and
I Am an American, they encouraged frightened viewers to cherish their freedoms and defend against division and prejudice in the face of terrorism (
seven years previously). The campaign was the work of the
Ad Council, a non-profit agency that employs the creative muscle of volunteer advertisers to raise awareness for social issues of national importance. Founded during WWII as the War Advertising Council, the organization has been behind
some of the most memorable public service campaigns in American history, including
Rosie the Riveter,
Smokey the Bear,
McGruff the Crime Dog, and
the Crash Test Dummies. And the Council is still at it today, producing striking, funny, and above all
effective PSAs on everything from
student invention to
global warming to
arts education to
community service.
Additional resources:
A-to-Z index of Ad Council campaigns -
Campaigns organized by category -
Award-winning campaigns -
PSA Central: A free download directory of TV, radio, and print PSAs
(registration req'd) -
An exhaustive history of the Ad Council [46-page PDF] -
YouTube channel -
Vimeo channel -
Twitter feed
posted by Rhaomi
on Sep 11, 2009 -
69 comments
Peace and War in the 20th Century is an ambitious, in progress, massive assemblage of posters, photographs, propaganda, ephemera, letters, diaries, paintings, sketches, stories, letters, music and related items, from McMaster University in Hamilton, Ontario. The collection is international in scope. Some of the nodes lack content, and the navigation is a little confusing, so the jump I list some of my favourite case studies from their site.
[more inside]
posted by Rumple
on Jan 2, 2009 -
4 comments
A Nazi Christmas Since its most ancient days, the Christmas holiday has been continually reshaped to serve commercial, social, and political ends. These Nazi-era Christmas materials, including an
Advent calendar and an
essay on how to turn Christian holidays into National Socialist ones, come from the
German Propaganda Archive of the Calvin College library. Of course, the Allies also enlisted Christmas in both pop culture and propaganda with
cards,
V-Mails,
and posters.
posted by Miko
on Nov 29, 2006 -
21 comments
Why We Fight, the BBC documentary from
Eugene Jarecki about the American military-industrial complex and its origins (
trailer@apple). For some reason its up in full at Google Video, so if you didn't get a chance to see it in the theaters, well, here it is! 1hr,40m - save it for later, perhaps. It's named after a
series of war propaganda newsreels, directed by Frank Capra, demonstrating the need to enter WWII. These too are
available on GV, as well as archive.org - to your surprise and delight. And for your convenience: Reels
One,
Two,
Three,
Four, Five parts
1 and
2,
Six, and
Seven
posted by BlackLeotardFront
on May 6, 2006 -
54 comments
"Now you fellows have lost all your ships. Now you really are orphans of the Pacific. How do you think you will ever get home?" Tokyo Rose was the name given to any female propaganda broadcaster for the Japanese during WWII’s battle for the Pacific, but it has stuck most tightly to
Iva Toguri D'Aquino, an American who studied zoology at Berkeley and unwisely went to visit a relative in Japan in 1941 without a passport.
Her sultry voice was heard across the Pacific during her radio show “The Zero Hour,” which earned her about $7 per month. After the war, "
Orphan Annie" returned to the U.S., where she was tried for treason in the most expensive trial in history. Her story has been made into
movies and
documentaries, and as of 2003 she was running a store in Chicago. You can
listen to her broadcasts online and apparently even
email her.
posted by gottabefunky
on Jul 12, 2005 -
10 comments
Freedom on the Fence: The Polish Poster. While we're at it:
The history and culture of the Polish poster and an analysis of
American Films in Polish Posters. Or, if you'd prefer,
The Classic Polish Film Poster database (where the
Disney/Children's film posters are quite lovely). Also,
The Wallace Library at the Rochester Institute of Technology has a fantastic searchable and browse-able database, with many hi-res images. Finally, some other
Polish Poster Galleries. (What's that? You want more? You want artist-specific galleries? Okay. Here's work by Mieczyslaw Gorowski, Piotr Kunce, Wieslaw Walkuski, and Jan Sawka. Oh, you wanted Communist-era Polish propaganda posters? Fine. Here ya go.) [previous MeFi discussion on Polish film posters; also, some of the images from these links may be NSFW, depending on how S your W environment is.]
posted by .kobayashi.
on Mar 13, 2005 -
10 comments
Sex and PsyOps. An interesting look at sexual propaganda throughout modern military history. Unfortunately slightly censored, but a good look into what may or may not have been an effective demoralization tool.
posted by eas98
on May 19, 2004 -
25 comments
