Amazon.com has taught readers that they do not need bookstores. Now it is encouraging writers to cast aside their publishers. “Everyone’s afraid of Amazon. ... If you’re a bookstore, Amazon has been in competition with you for some time. If you’re a publisher, one day you wake up and Amazon is competing with you too. And if you’re an agent, Amazon may be stealing your lunch because it is offering authors the opportunity to publish directly and cut you out." (Some adventures in self-publishing.) [more inside]
posted by SpacemanStix on Oct 17, 2011 - 68 comments

... the International Music Score Library Project, has trod in the footsteps of Google Books and Project Gutenberg and grown to be one of the largest sources of scores anywhere. It claims to have 85,000 scores, or parts for nearly 35,000 works, with several thousand being added every month. That is a worrisome pace for traditional music publishers, whose bread and butter comes from renting and selling scores in expensive editions backed by the latest scholarship. More than a business threat, the site has raised messy copyright issues and drawn the ire of established publishers. (previously)
posted by Joe Beese on Feb 22, 2011 - 23 comments

"Broadside was a small underground magazine smuggled out of a New York City housing project in a baby carriage, filled with new songs by artists who were too creative for the folkies and too radical for the establishment." The entire back catalog of this influential magazine - which helped set the visual standard for underground zines until desktop publishing - is now avalable online, in PDF.
posted by Miko on Apr 2, 2010 - 9 comments

ASCAP & BMI -- Protectors of Artists or Shadowy Thieves? Read interested in the internal machinations of the music industry may be interested to read this essay describing how ASCAP works, who it targets, and who it benefit.
posted by faisal on May 2, 2001 - 2 comments