Ryan Richardson has recently digitised and made available the entire run of Slash, an LA punk magazine, which ran from 1977 to 1980. [more inside]
WET: The Magazine of Gourmet Bathing covered a range of cultural issues and was widely known for its innovative use of graphic art. Started as a simple one-man operation that included artwork and text solicited from friends and acquaintances, the production, team, and circulation of the magazine would grow over the years. Its content also evolved to cover a wider expanse of stories that captured a smart and artsy Los Angeles attitude that was emerging at the same time as punk, but with its own distinct aesthetic. The magazine’s energetic creativity and flair for the absurd would remain a constant. As design problems arose, solutions were often improvised on the spot, creating a quirky and prescient editorial sensibility that remains one of WET's most enduring legacies. Its layout and design helped to catalyze the graphic styles (NSFW) later known as New Wave and Postmodern.
In August 1990, when Spin magazine was still an edgier cousin to Rolling Stone, it published a list of the 35 Greatest Moments in Rock 'n' Roll Television. [more inside]
Not all groups with synthesizers in the 1970s and 1980s were lame Top 40 acts with keytars. Some groups of the era used synths for spastic keyboard bleeps, herky-jerky tempos, and angst-ridden aggression in a style now classified by record collector geeks as synthpunk, minimal synth, or minimal wave. Several famous New Wave acts dabbled in the style before providing soundtracks for Molly Ringwald movies (OMD, Electricty) or singing about waitresses in cocktail bars (the Human League, Being Boiled), but vintage videos from synth punk acts all over the world can be found all over YouTube. [more inside]
That's Punksploitation!! Can punk rock episodes of old TV shows kill? Check out punk episodes from Quincy, CHiPs (Part 1 and Part 2), 21 Jump Street (Part 1 and Part 2), as well as the appearance of the Dickies on the Don Rickles sitcom, CPO Sharkey. Other prime vintage examples of media cluelessness on punk rock include a fashion show and a scaremongering Time magazine article, although a recent cookie commercial may revive the punksploitation genre.